Billboard On The Record - Suno 的人工智能如何颠覆音乐产业——对话 Mikey Shulman 封面

Suno 的人工智能如何颠覆音乐产业——对话 Mikey Shulman

How Suno's AI Is Disrupting The Music Industry w/ Mikey Shulman

本集简介

Suno 现在每天生成七百万首歌曲——这将如何改变音乐产业?Suno 的首席执行官兼联合创始人米基·舒尔曼做客《Billboard On The Record》,讲述他是如何打造这家广受欢迎但颇具争议的 AI 音乐公司,使其能在数秒内生成新歌。在采访中,舒尔曼解释了 Suno 如何被“格莱美获奖者”和“祖母们”共同采用。他讨论了公司举办的歌曲创作营、私密 VIP 计划、新功能如“Hooks”(类似 TikTok 的社交媒体动态),以及为何他不打算将初创公司出售给任何 AI 巨头。舒尔曼还谈到了 Suno 与华纳音乐集团的新合作,为何他认为在未经许可的情况下训练音乐数据是合法的,以及为何他相信唱片公司依然重要。 喜欢你所听到的吗?别忘了评分、评论并订阅,以免错过《Billboard On The Record》的任何一期节目。 关注我们的 Instagram:@billboardontherecord 和 @wordsbykristin。 《Billboard On The Record》是由 SickBird Productions 联合制作的播客。 了解更多关于您的广告选择,请访问 megaphone.fm/adchoices

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Suno。

Suno.

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自Spotify或甚至Napster以来,它是音乐领域最具争议的新公司。

It's the most controversial new company in music since Spotify or maybe even Napster.

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根据一份投资者演示文稿,Suno每天已生成七百万首歌曲,迅速成为AI音乐竞赛的领先者,但同时也树敌不少。

Already generating 7,000,000 songs a day according to an investor pitch deck, Suno has quickly become a front runner in the AI music race, but it's also made its fair share of enemies along the way.

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这是因为Suno的模型目前在未经许可的情况下使用受版权保护的歌曲进行训练。

That's because Suno's model is currently trained on copyrighted songs without a license.

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他们声称这是合理使用。

They say that's fair use.

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音乐产业却不这么认为。

The music industry begs to differ.

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但现在,Suno已同意在稍后重新推出其模型,仅使用授权歌曲进行训练。

But now Suno has agreed to relaunch its model sometime later this using only licensed songs for training.

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但这足以让音乐产业原谅并遗忘吗?

But is that enough to make the music industry forgive and forget?

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为了探讨音乐行业这一关键时刻,今天我邀请到了Suno首席执行官米基·舒尔曼,作为我们今日发布的《Billboard》封面故事《AI音乐公司》的特别配套访谈。

To talk through this pivotal moment in music, I'm joined today by Suno CEO, Mikey Shulman, in this special companion episode of our Billboard cover story on The AI Music Company, out today.

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欢迎回到《On The Record》,这是由Billboard Insect Bird Productions出品的音乐产业播客。

Welcome back to On The Record, a music business podcast from Billboard Insect Bird Productions.

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我是主持人罗宾逊,我们带着特别的封面故事回归第二季,深入剖析快速崛起的AI音乐公司Suno的崛起与争议。

I'm your host, Robinson, and we are back for season two with a very special cover story episode, profiling the rise and controversy behind the fast growing AI music company, Suno.

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Suno由米基·舒尔曼与其他三位联合创始人于2023年创立,初衷是通过文本提示生成歌曲。

Suno was founded in 2023 by Mikey Shulman, along with three other co founders as a way to generate songs from text prompts.

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如今,这家AI音乐公司已完成C轮融资,估值达25亿美元,总估值高达24.5亿美元,且仍在增长。

And now the AI music company has wrapped a Series C funding round at the 2025 worth $250,000,000 and it's valued at $2,450,000,000 and counting.

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自成立以来,它还新增了大量功能,包括一个流媒体平台、一个类似TikTok的社交动态频道“Hooks”,以及更多供词曲作者和制作人掌控音乐的工具。

It's also added a ton of new features since its start, including a streaming platform, a TikTok like social media feed called Hooks, and more tools for songwriters and producers to control the music.

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正如我之前所说,Suno在这一过程中树敌不少。

Along the way, as I said before, Suno has made enemies.

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2024年,索尼、环球和华纳三大音乐公司联手对Suno提起了一起重磅版权侵权诉讼,指控这家AI音乐公司未经许可便使用其录音来训练模型。

In the 2024, the three major music companies, Sony, Universal, and Warner, came together to sue Suno in a blockbuster copyright infringement lawsuit, claiming that the AI music company trained its models on their sound recordings without a license.

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它还被丹麦版权组织CODA、德国版权协会GEMA以及一些创作者团体起诉。

It's also been sued by Danish rights society CODA, German Collection Society GEMA, and also some creator groups.

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但2026年已出现迹象,表明Suno与音乐产业之间可能迎来和解。

But 2026 is showing signs that reconciliation between Suno and the music biz may lie ahead.

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在2025年底,华纳音乐集团与其在诉讼中的部分达成和解,并与Suno签订了未来使用其曲库的授权协议。

In late twenty twenty five, Warner Music Group settled its part of the lawsuit with Suno and forged a licensing deal for its catalog in the future.

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作为协议的一部分,Suno同意停用当前模型,并推出一个仅使用授权作品训练的新模型。

And as part of that, Suno agreed to retire its current model and launch a new one, only trained on licensed works.

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同时,大约在同一时期,该公司宣布了其C轮融资,其中透露一家传统音乐公司——好莱坞——已成为其投资者之一。

Also around that time, the company announced its series c funding round, which included the detail that the once traditional music company, Hollywood, is among its investors.

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与此同时,越来越多的顶级词曲作者和制作人已悄悄将Suno融入他们的创作过程中。

Meanwhile, more and more top songwriters and producers have quietly been integrating Suno into their songwriting sessions.

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就连我们上一期节目的嘉宾瑞安·泰德也不例外。

That includes even our last guest on the show, Ryan Tedder.

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尽管有时感觉Suno在AI音乐市场的主导地位似乎不可避免,但Suno仍面临诸多挑战。

While sometimes it can feel like Suno's dominance in the AI music market is inevitable, Suno faces plenty of challenges ahead.

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这包括客户获取与留存、AI评论家,以及获得环球、索尼和独立音乐公司的授权,以完善训练数据的曲库。

This includes customer acquisition and retention, AI critics, and getting licenses from Universal and Sony and the independent music companies to fill out that catalog of training data.

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这次采访只是我与米基以及其他Suno员工、公司批评者、投资者和音乐人进行的众多访谈之一,这些访谈都是为撰写这篇重要人物特稿做准备的。

This interview is just one of many that I did with Mikey, as well as other Suno employees, critics of the company, investors, and musicians in preparation for writing this very important profile.

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这次采访只是触及了报道内容的皮毛,如果你想深入了解,我强烈建议你访问billboard.com,阅读我关于这一复杂且具有挑战性话题的完整报道。

This interview just scratches the surface of what is covered in the story, so if you want to dive deeper, I highly encourage you to head to billboard.com and read through my full reporting on this incredibly nuanced and challenging topic.

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好吧。

All right.

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话虽如此,是时候请出我的嘉宾了。

With that being said, it's time to bring in my guest.

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以下是我在Suno首席执行官米基·舒尔曼的对话。

Here is my conversation with Mikey Shulman, CEO of Suno.

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米基·舒尔曼,欢迎来到《唱片内幕》。

Mikey Shulman, welcome to On The Record.

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非常感谢你来到这里。

Thank you so much for being here.

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很高兴能来这里。

So happy to be here.

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谢谢你的邀请。

Thanks for having me.

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好的。

Okay.

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这是你第一次参加格莱美周吧。

So this is your first Grammy week.

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是的。

It is.

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感觉怎么样?

How's it been?

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很累,但也很有趣。

Exhausting, but also a lot of fun.

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还学到了很多。

Also learning a lot.

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对。

Yeah.

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这是一次很棒的经历。

Great experience.

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是的。

Yeah.

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我昨天见过你了。

So I saw you yesterday.

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我来给咱们的听众们交代一下现在的背景:这期内容是格莱美周期间录制的,因为节目会在一个月之后上线。

So I'm I'm setting the scene here for our listeners that this is during Grammy week because this will come out in a month.

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而在AI这个行业里,短短一个月里都可能发生天翻地覆的变化。

And in AI world, a lot can change in a month.

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所以万一后续有什么变动,这期内容里记录的就是我们当下的状态。

So just in case something changes, this is where we're at right now.

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现在大概是一二月份的时候。

It's like January, February.

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好的。

Okay.

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所以我昨天去了Suno的歌曲创作营,你这一周一直在举办这个活动,非常有趣。

So I went by Suno's songwriting camp yesterday, which you've been running throughout the week, which has been really interesting.

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你邀请人们进来观看整个创作过程。

And you're kind of inviting people in to go and see the process.

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我想知道你们一共举办过多少次这样的歌曲创作营?这对你们公司的战略来说为什么重要?

And I'm wondering how many of these songwriting camps have you guys been doing, and why is that important to your strategy as a company?

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我们大概办过十几场了。

We've probably done a dozen or so.

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并不是都在这里办的。

Not all here.

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是的。

Yeah.

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有些在纽约。

There's some in New York.

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在那里和创意人士在一起非常有趣,而且这实际上是一个绝佳的学习方式,让我们从两个角度了解顶尖创作者是如何使用Suno的。

It's a ton of fun to be there, to be around creatives, but it's also it's an amazing way to learn, actually, from both sides, for us to learn about how the best of the best use Suno.

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这对我们来说很受启发,也有助于我们打造更好的产品。

It's inspiring for us and also helps us build better products.

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同时,我们也通过实际行动,而非仅仅口头宣传,来展示Suno是多么强大的创意工具。

And for us to also show instead of tell how Suno is an incredible tool for creativity.

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我知道昨天是由Omas主导的。

And so I know that yesterday, it was led by, like, Omas.

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通常情况下,你们会邀请一位词曲作者或制作人来策划一个活动,还是你们只是从你们已知的对Suno感兴趣的人名单中邀请他们?

Is it usually that you get, like, a songwriter or producer to kind of curate a room, or are you guys just kinda pulling from your list of people that you already know are interested in Suno and inviting them in?

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有几种不同的形式。

There's a there's a few different flavors.

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我觉得没有固定的规则。

I don't think there's one rule.

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但一位有明确愿景、想要创作一首歌或一张专辑的词曲作者或制作人,是一个很好的目标。

But a songwriter or producer who has a vision to make a song or an album is a great goal.

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我们甚至不一定需要完成这首歌或这张专辑。

We don't even necessarily need to finish the song or the album.

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那里会发生很多不错的东西。

A lot of good stuff will happen there.

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通常我们会这么做。

Often, do.

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通常我们会的。

Usually, we do.

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但这并不是唯一的方式。

But that's not the only way.

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你知道的。

You know?

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当你身边有一群合适的人时,这种知识分享可以通过很多不同的方式发生。

And that knowledge share can happen in lots of different ways when you have the right group of people around.

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是的。

Yeah.

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而且,说实话,让我印象深刻的是那个创作营,因为我有机会坐在房间里,亲眼目睹了一些世界上顶尖音乐家使用Suno进行创作。

And, I mean, the thing that really struck me about that camp, because I got to sit in the room and watch some of the best musicians, top musicians in the world work using Suno.

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Omos告诉我,他说:我们用三十分钟就完成了一首歌,从头到尾一气呵成。

And Omos was telling me, he was like, we made this song in thirty minutes, and it was start to finish.

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听起来就像一张可以直接用于任何用途的完整成品录音。

It sounded like a fully finished master recording that you could use for anything.

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有趣的是,对他们来说,他们基本上是从一段包含歌词的提示开始,然后由专业乐手重新录制每一个部分。

And interestingly for them, they were essentially starting with a prompt with lyrics, and then they were rerecording each of the bits with session musicians.

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然后我就在那里听到了最终的作品。

And then I ended up kind of hearing the final product there.

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但你能用三十分钟完成这样的创作,真的让我和去创作营的其他人都大为震惊。

But the fact that you could do that in thirty minutes, I think, really blew my mind and some of the other folks who are also visiting the camps' minds.

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因为如果你能达到这样的程度——创作营就是能让你在三十分钟内快速写出歌曲,并产出完整的成品录音——我就忍不住思考这对整个行业意味着什么。

Because I if you get to a point where, like, that's what songwriting camps are, where you can whip through these songs in thirty minutes and have these fully finished masters, I just think about the implications for the entire industry.

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你的产出效率将会大大提高。

Your the output is gonna be so much greater.

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所以我很想知道,当AI成为作词作曲过程中更常态化的部分后,你认为艺术家的职业生涯五年或十年后会是什么样子?

And so I'm I'm curious what you think of an artist's career, like, maybe five, ten years down the line once AI becomes a more normalized part of the songwriting process.

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艺术家们会不会比以往任何时候都更快地创作并发布歌曲?

Are artists going to be just whipping out songs and releasing songs more quickly than ever?

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还是说,你认为艺术家们在选择发布哪些作品、不发布哪些作品时,依然会非常谨慎和缓慢?

Or do you foresee artists still being very intentional and slow with their choices on what they release and what they don't release?

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我觉得会更加注重选择。

I think it's gonna be much more intentional.

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我觉得会有很多人发布歌曲。

I think a lot of people are gonna release songs.

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你知道,Omos三十分钟就能做出一首歌。

And, you know, Omos can make a song in thirty minutes.

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但我肯定做不到。

I certainly cannot.

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只有最顶尖的人才能做到这一点。

You know, the best of the best can do that.

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但这意味着的不仅仅是数量更多。

But what that means is not just more.

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这意味着巅峰之作会更好。

It means the the highs are better.

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而且,如果你愿意耐心等待,艺术家想要传达的观点实际上可以更加精挑细选。

And it means that the point of view that the artist is trying to bring to something can actually be more curated if you're willing to be patient.

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所以,是的,五年或十年后,音乐的数量将会多很多。

And so, yes, there's gonna be a lot more music in five or ten years.

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对我来说,这并不明显意味着艺术家们每天或每周都会发布新专辑。

It's super not obvious to me that it just means artists are gonna be putting out records every day or every week.

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你知道,我认为他们会创作出更多的音乐,但不一定发布更多的音乐。

You know, I think it means they'll be making a lot more music, but not necessarily releasing a lot more music.

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是的。

Yeah.

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对。

Yeah.

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这有可能。

That's possible.

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而且,我的意思是,五年、十年后还是会有一些人坚持不改变。

And, I mean, there are going to be some holdouts five, ten years in the future.

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我知道现在就有一些人对在创作中使用AI不感兴趣,但对我来说,AI明显能大大加快创作进程并提升产出量。

I know there's holdouts right now who are not interested in using AI as part of their process, but it seems so clear to me that it speeds up the process so much and is ups your output.

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你认为五年或十年后,还会有一些有竞争力的艺术家完全不在他们的创作过程中使用AI吗?

Do do you think that there will still be five to ten years from now competitive artists that do not use AI at all in their process?

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完全不使用?

At all at all?

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我认为在五年或十年后,AI会无处不在地渗透在各个角落。

I think in in five or ten years, there's going be little bits of AI everywhere.

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就像数字制作如今无处不在一样,五十年前没人会想到会这样;自动调音也几乎无处不在,尽管当年也没人预料到这一点。当你回听一首没有自动调音的歌时,你能听出来,那种原生态的音色反而很美。所以我认为AI会广泛融入很多作品,但我相信,就像你或我有时会觉得未经自动调音的声音更美一样,也会有人想坚持传统方式,这非常好。

The same way, there's little bits of digital production everywhere and no one thought that would be a thing fifty years ago and there's little bits of auto tune almost everywhere even though no one thought that would be a thing and probably when you go back and you listen to a song that doesn't have it, you can hear it and you know, it sounds beautiful in that way and so, I think it's going to be in in a lot of stuff but I do think that just like you find it or I find it beautiful to sometimes have something that's not auto tuned, there will be some people who wanna do it the old way, and that's that's great.

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你知道,我们并不是想强迫任何人做任何事。

You know, we are not trying to make anyone do anything.

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是的

Yeah.

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我想请你简单介绍一下Suno,因为对于很多不太关注这个领域的人来说,Suno就像是突然从天而降一样。

And I'm wondering if you could give us a little bit of background about Suno, because I think for a lot of folks who don't follow the space very closely, it kinda feels like Suno just appeared out of nowhere.

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所以,能跟我讲讲你和联合创始人在Suno初创阶段开发这款产品的情况吗?

So tell me about developing the product with your cofounders in that very inception of Suno.

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我们大约三年前发布了这款产品。

We released the product about three years ago.

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发布时,它的表现 barely passable(勉强能用)。

When we did, it was barely passable.

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你需要非常宽容,还得愿意忽略其中大量的缺陷。

You know, you had to have really forgiving years, and you had to be willing to basically ignore a lot of defects in it.

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一开始,我们一次只能生成十二秒的音乐。

And at the beginning, actually, we could only do twelve seconds of music at a time.

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如果你一次只能生成十二秒,那它的使用场景就完全不一样了。

And that has it's just an entirely different use case if you can only do twelve seconds at a time.

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这并不是那种典型的三人车库创业故事,但我们四个联合创始人是在其中一人的家中工作的,我们最初觉得这太难了,于是开始开发另一个产品。

It's not exactly, you know, the the proverbial three guys in a garage, but we were we were we were four cofounders working out of one of our houses, and we thought this would be too hard, and we started to build a different product.

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当我们意识到这并没有想象中那么难,并开始着手做时,我们就熬夜不停地用这些工具创作音乐,因为我们真的很热爱它。

And when we realized that this wasn't too hard, and we started to do it, and we would just stay up really late making music with these things because we love it.

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是的,早期我们确实有那段宽容的时期,能够欣赏那些糟糕的十二秒片段,并不断改进、不断迭代,最终发布了产品。

And, yes, we had the forgiving years at the beginning to be able to appreciate those crappy twelve second clips and just keep building and building and release the product.

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很快我们就明显看出,即使音乐质量不高,人们依然非常喜欢它。

It was obvious pretty quickly that people really loved it even when the music was not as good.

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这不仅是因为它对人们来说是一个全新的玩具,玩起来有趣且新奇,但更重要的是,我们很快意识到人们热爱创作音乐。

And it's because not only is it a new toy for people to play with, which is always fun and a novelty item as a reason to try it, let's say, but we realized very quickly people love making music.

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每个人都喜欢创作音乐。

Everybody loves making music.

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当你为人们提供更易用的全新方式来实现这一点时。

And when you give people new ways to do that, that is more accessible.

Speaker 1

你就能吸引到所有人。

You attract everyone.

Speaker 1

你吸引的是格莱美获奖者,还有祖母们。

You attract Grammy winners, and you attract grandmothers.

Speaker 1

这太棒了。

And that's amazing.

Speaker 1

我们很快看到了一个社区的形成,这告诉我们我们做对了。

And we saw a community build pretty quickly, and that told us we were onto something.

Speaker 0

好吧。

And okay.

Speaker 0

如果我错了,请纠正我。

Correct me if I'm wrong.

Speaker 0

你们是不是先在 Discord 上发布的?

Wasn't there, like did you drop it on Discord first?

Speaker 1

我们确实发布了。

We did.

Speaker 1

对。

Yeah.

Speaker 1

为什么?

Why?

Speaker 1

你知道,这很有趣。

You know, it's funny.

Speaker 1

大概有两个原因。

Probably two reasons.

Speaker 1

一个是有一个叫Midjourney的工具。

One is there's a tool called Midjourney.

Speaker 1

我不确定你是否熟悉它,这是一个在Discord上的图像生成机器人,拥有大量用户,复制这个模型很容易。

I don't know if you're familiar with it, which was an image making bot that was on Discord and had a lot of users and it's an easy thing to to copy that model.

Speaker 1

但另一点是,Discord是一个非常快速将产品推向市场的方式。

But the other thing is Discord was an incredible way to get a product to market very quickly.

Speaker 1

我们不需要构建用户界面。

We don't have to build a UI.

Speaker 1

我们不需要用户界面。

We don't user interface.

Speaker 1

我们不需要构建任何复杂的东西,而且它自带一个社区。

We don't have to build anything fancy, and it has a community built into it.

Speaker 1

在同一平台上,有人使用产品,有人讨论产品,还有人给我们提供反馈,这非常有帮助。

You have in the same place people using the product and people talking about the product and people giving us feedback about the product, and that was immensely helpful.

Speaker 1

随着用户数量迅速增长到数十万,这实际上变成了一项筛选和过滤噪音的管理工作,因为成千上万的人同时给你反馈,确实有点棘手。

And as that grew, and that grew to hundreds of thousands of people pretty quickly, and then it's actually an exercise in curation of filtering out all of the noise, because hundreds of thousands of people giving you feedback all at once is a little bit tricky.

Speaker 1

但在初期,这变得极其有用,我们早期的许多洞察都源于这个社区。

But that turned out to be incredibly useful at the beginning, and so many insights that we had at the beginning were because of that community.

Speaker 0

好的。

Okay.

Speaker 0

所以你们一开始是想做一个音乐模型,但不确定是否真的可行。

So y'all went into this hoping to make a music model, but weren't sure if it was possible yet.

Speaker 0

我的意思是,我记得在2022年左右,很多人都在说,音乐生成在生成式AI领域还很遥远。

I mean, a lot of people I remember back in, like, 2022 or so, talking were about how music was still gonna be pretty far away with generative AI.

Speaker 0

它会非常复杂和困难,但你们做到了。

It was gonna be very complex and difficult, but you guys did it.

Speaker 0

但我很好奇为什么,因为我知道很多投资者一看音乐产业,就觉得那里没什么钱可赚。

But I'm I'm wondering why because, you know, I think a lot of investors look at the music industry and think there's not much money to be made there.

Speaker 0

这不是个特别靠谱的投资。

It's not a super sound investment.

Speaker 0

你们是怎么知道你们想走这条艰难的路,去做一家音乐科技公司的呢?

Why did you guys know that you wanted to pursue that tough path of being a music technology company?

Speaker 1

做你真正想做的事,这一点非常重要,现在有成千上万的公司都在做他们以为投资者想要的东西。

There's something really important about following the thing that you wanna do, and there's a zillion companies building exactly what they think investors want.

Speaker 1

但说实话,做你自己想做的东西,听起来很无聊。

And that sounds boring, honestly, building the thing that you wanna build.

Speaker 1

无论在哪个领域创业都很难,而真正让你每天保持热情的,恰恰就是做你自己想做的事,是的,过程中有很多困难的部分。

That's like ultimate like, this is hard building a company in any domain and ultimately, like, that's what keeps you excited about it every single day because, yeah, there's there's lots of hard parts.

Speaker 1

所以我不确定这是否是一个有意识的决定,我觉得我们从来没有坐下来说过:‘投资者觉得音乐不是个大生意,那我们还做不做?’

And so I don't know if it was like a conscious thing of like, I don't think there was ever sitting down and saying, well, investors don't think music is a big business.

Speaker 1

我们该不该继续做下去?

Should we do it anyway?

Speaker 1

这根本就不是什么讨论。

It was that wasn't even, like, a discussion.

Speaker 1

就是,当然我们要做。

It was just, like, of course, we're gonna do it.

Speaker 0

是的。

Yeah.

Speaker 0

你们所有人都以某种形式玩音乐。

And all of you play music in some form or fashion.

Speaker 1

没错。

That's right.

Speaker 1

事实上,在我们上一份工作时,我们都在一起工作。

And in fact, at our last job, we all worked together.

Speaker 1

我们以前经常在联合创始人的地下室里即兴演奏,只是下班后放松一下。

We used to have jam sessions in my cofounder's basement, like, just to blow off steam after work.

Speaker 0

这就是你的车库时刻。

Just There's your garage moment.

Speaker 1

那就是那个车库时刻。

That is that is that is the garage moment.

Speaker 1

那并不是公司的起点。

That is not the inception of the company.

Speaker 1

你知道,我们后来还在那里工作了好几年,但我们只是在一起做音乐,和朋友一起做音乐真的很有趣。

You know, we we were still working there for a few more years, but we just we were making music together, and making music with your friends is really fun.

Speaker 0

是的。

Yeah.

Speaker 0

那你演奏什么乐器?

And what's your instrument?

Speaker 1

我最擅长弹贝斯。

I play bass best.

Speaker 1

我也会弹一点钢琴。

I play a little bit of piano.

Speaker 1

我从小上过很多课,然后我就想,好吧。

I I took a lot of lessons growing up, and I'm like, okay.

Speaker 0

嗯。

Mhmm.

Speaker 0

是的。

Yeah.

Speaker 0

对。

Yeah.

Speaker 0

好吧。

And okay.

Speaker 0

所以Suno最近在2025年与华纳音乐集团达成了一项重大协议,这个消息公布时引起了巨大反响。

So Suno recently, at the 2025, made a deal with Warner Music Group, which was a huge deal when the news dropped.

Speaker 0

这项协议解决了华纳音乐集团在2024年夏天被三大唱片公司起诉Suno以及类似起诉Studio案件中的部分责任。

This settled Warner's part of a lawsuit that the three major music companies filed against Suno as well as a similar lawsuit against Studio in summer twenty twenty four.

Speaker 0

我想知道为什么华纳是第一个与你们达成协议的公司。

I'm wondering why Warner was the one that you came to a deal with first.

Speaker 1

说实话,我们可能不是回答这个问题的合适人选。

You know, I'm not sure, we're the right people to ask that question to.

Speaker 1

或许这个问题应该去问其他人。

There may be other people to ask that question to.

Speaker 1

不过,我觉得我们始终把他们看作是极具长远眼光的优秀合作伙伴,大家都愿意一起摸索未来的方向。正如你所说,这个领域的发展速度实在太快了。

But, you know, I think we see them just as, incredible long term thinking partners and people willing to try to figure out the future together because, like you said, it is a really fast moving space.

Speaker 1

没人能准确预判未来的模样,但能拥有不仅愿意、而且满心期待和我们一同探索未来的合作伙伴,真的太难得了。

Nobody knows exactly what the future is gonna look like, but having partners who are not only willing but excited to figure that out together is amazing.

Speaker 1

说到这个,其实这是我第一次参加格莱美周,我这段时间听到了不少感慨。

On that, you know, something that I hear a lot this is my first Grammy's week.

Speaker 1

就像所有人都在说,是啊,AI时代要来了。

It's like everyone everyone says, well, know AI is coming.

Speaker 1

但我真的试着不这么想,哪怕这话可能没错,但你肯定不想眼睁睁坐以待毙,看着这事降临,最后只能听天由命,要么好得惊人要么糟得一塌糊涂。

And I really attempt to not think that way because it may even be true, but you wanna feel like you're not sitting back helpless and this thing is coming, and it's either gonna be amazing or terrible.

Speaker 1

毕竟人是有主观能动性的,我们可以塑造未来,能把它建设成对所有人都友好的样子。

Like, there's human agency here, and we can shape the future, and we can make it good for everybody.

Speaker 1

不然我们就是放任不管,全凭运气赌结果了。

Or we cannot shape it and kind of roll the dice.

Speaker 1

因此,有一个非常希望做前者(即积极塑造未来)的合作伙伴,这非常好。

And so having a partner who very much wants to do the first one is really good.

Speaker 0

我知道,在过去大型音乐科技公司与Spotify等大型科技公司之间的交易中,大型唱片公司有时能够获得股权。

I know that in previous, big music tech deals between the majors and, like, Spotify, for example, and other big tech companies, the majors have sometimes been able to get equity.

Speaker 0

华纳在Suno公司中持有任何股权吗?

Does Warner have any equity in Suno?

Speaker 1

我认为现在讨论合作伙伴关系的具体细节还为时过早,但请持续关注。

I think it's a little early to discuss, like, the particulars of the partnership, but stay tuned.

Speaker 1

我认为今年晚些时候会有更多消息公布。

I think later this year, more will come.

Speaker 0

作为这项协议的一部分,你们将在2026年的某个时候重新推出Suno,使用已授权并同意参与的音乐来重新发布你们的模型。

And as part of that deal, you guys are going to relaunch Suno at some point in 2026, relaunch your model with licensed music that has opted in.

Speaker 0

目前,只有与华纳的这项协议。

And right now, there's only the deal with Warner.

Speaker 0

随着事态发展,我很好奇,如果环球和索尼最终决定不达成协议,Suno是否会陷入困境?

I'm curious as this develops, I mean, is is there a potential that Suno could be left in a tough spot if, let's say, Universal and Sony don't decide to make deals?

Speaker 0

那么,你知道,你需要多少首歌参与授权,才能让这个模型变得和以前一样出色?

And then, you know, I I mean, how many songs do you need to opt in to make the model just as great as before?

Speaker 0

你担心赶不上这次重新发布的时间来达成协议吗?

Are you concerned about making deals in time for this relaunch?

Speaker 1

你知道,这是个非常好的问题。

You know, it's it's a really good question.

Speaker 1

我觉得我无法给你一个明确的答案,说明需要多少首歌。

I don't think I can give you a straightforward answer how many songs you need.

Speaker 1

这事儿挺有意思的。

And it's a funny thing.

Speaker 1

每次推出新模型时,我都觉得很明显,每个模型都变得好太多了。

Every model launch I think it's somewhat obvious that things have gotten a lot better, every model.

Speaker 1

每次我们推出新模型时,总有人怀念旧模型。

And there's always people who miss the old model when we do a new model launch.

Speaker 1

所以我相信这种情况又会发生。

And so I'm sure that that will happen again.

Speaker 1

但我们对我们与华纳将共同打造的东西感到非常有信心。

But we feel very good about what we're going to build together with Warner.

Speaker 1

说实话,人们经常问我这个问题。

Truthfully, I think the you know, people ask me a lot.

Speaker 1

他们以为我们Suno认为唱片公司无关紧要。

They assume that we think at Suno that, like, the record labels don't matter.

Speaker 1

大型音乐公司很重要。

The big music companies matter.

Speaker 1

它们非常重要。

They matter a lot.

Speaker 1

因此,你希望与行业内最大的公司合作,不是因为它们拥有大量音乐,而是因为它们在文化上极其重要。

And so you want to partner with the biggest companies in the industry, not because they have a lot of music, but because they are, like, culturally extremely important.

Speaker 1

所以我认为,我们更关注的是这一点,而不是具体有多少首歌曲。

And so I think that is really the thing, that we think much more about and not exactly how many songs there are.

Speaker 0

但我想象中,为了打造一个能够真正捕捉流行音乐广泛性的音乐模型,你肯定需要一个大致的歌曲数量和不同流派的范围。

But I imagine there, like, has to be some sort of a ballpark number of how many songs you need and how many different genres you need in order to make a music model that really can capture, the breadth that is popular music.

Speaker 1

真的很难说。

It's really it's really hard to say.

Speaker 1

越多总是越好。

Like, more is always better.

Speaker 1

在这里很难给出明确的答案。

It's really hard to give definitive answers here.

Speaker 1

每当你做出任何改变,有些方面会变好,有些方面会变差。

And whenever you change anything, some things get better and some things get worse.

Speaker 0

好的。

Okay.

Speaker 0

这挺有意思的。

So that that's interesting.

Speaker 0

所以,当你在开发一个模型时,有时候你以为自己在改进,但测试后却发现,哦,等等。

So, like, sometimes when you're working on a model, it's possible that you think you're making an improvement, then you test it out, and it's like, oh, wait.

Speaker 0

这不对。

That's not right.

Speaker 0

我得从头再来。

I need to go back to the drawing board.

Speaker 1

这种事每天都会发生。

That happens every day.

Speaker 1

好的。

Okay.

Speaker 1

而且不仅如此,我们会有一个模型,可以做测试,知道这个新模型更好。

And and even more than that, we'll have a model, and we can we can do a test, and we can know this new model is better.

Speaker 1

但总会有一些人更喜欢旧的模型。

And there will still always be people who prefer the old horse model.

Speaker 1

这是因为音乐没有标准答案。

And so and it's because music is not there's no right answer.

Speaker 1

这不是一个需要解决的问题。

It's not a problem to solve.

Speaker 1

是的。

Yeah.

Speaker 0

我想这并不完美。

I guess it's not perfect.

Speaker 1

对吧?

Right?

Speaker 1

你和我不会在每首歌上都达成一致。

You and I are not gonna agree on every song.

Speaker 1

这是预料之中的。

That's to be expected.

Speaker 1

你知道的。

You know?

Speaker 1

你可以把这看作一个问题,也可以把它看作一个挑战。

And you can take that as a problem or you can take that as a challenge.

Speaker 1

这确实是一个挑战,这是艺术,没有标准答案。

And it is a challenge, and this is art, and there are no right answers.

Speaker 1

你可以拥抱它,努力创造工具和模型来制作美妙的音乐。

And you can lean into it, and you can try to make tools and models that make beautiful music.

Speaker 0

对。

Yeah.

Speaker 0

我想到布莱恩·伊诺有一句很棒的话。

There's this great Brian Eno quote.

Speaker 0

我不知道你有没有听过这句话。

I don't know if you've ever heard it.

Speaker 0

我现在可能会把它说砸了,因为我没...

I'm gonna butcher it right now because I don't

Speaker 1

凭直觉就知道

know it off the top

Speaker 0

脱口就来那种。

of my head.

Speaker 0

但这个说法大概是说,每当有新技术出现的时候,不管是什么领域的,它起初听上去或者看上去都不完美。

But it was something about how, like, whenever there's new technology, it doesn't sound perfect at first, or it doesn't look perfect at first, depending on whatever it is.

Speaker 0

可等到这项技术最终被完善之后,人们反倒会开始怀念它早期那种略显粗糙、不成熟的状态。

But eventually, as it becomes perfected, people start to yearn for, kind of like the early messed up stuff at the beginning.

Speaker 0

就像我回看那个由AI生成的Lil Yachty封面,那时候人脸完全不像样,手上有二十根手指之类的毛病。

Like, it's like, I look back at the Lil Yachty cover that was AI generated, and it's like when the faces don't look good at all, and the hands have like 20 fingers on them and all that stuff.

Speaker 0

我很好奇,未来人们会不会开始对早期AI音乐的声音,或者早期AI图像的视觉风格产生兴趣。

I'm really curious to see, just in the future, if people start to be interested in the sound of early AI music or early or the look of early AI images.

Speaker 0

我们拭目以待,不过我

We'll we'll see how it develops, But I

Speaker 1

我的意思是,Brian说得大概没错。

mean, Brian, you know, said it's probably right.

Speaker 1

所以,是的,我们就等着吧,事情自然会发生。

So, yeah, let's just wait, and it'll happen.

Speaker 0

是的。

Yeah.

Speaker 0

我们就假设他在所有事情上都是对的吧。

We'll we'll we'll just assume that he's correct on all things.

Speaker 1

但实际上,我们已经看到了。

But We we see it, actually.

Speaker 1

我们看到有人教我如何在Suno中提示添加黑胶唱片的瑕疵效果,但我忘了是谁教的。

We see people I forget who taught me this, but to how to prompt for, like, vinyl imperfections in Suno.

Speaker 0

哦,有意思。

Oh, interesting.

Speaker 0

没错。

Exactly.

Speaker 1

因为你就想要那种效果。

Because they you want that.

Speaker 1

你希望它听起来像一张保养不善的黑胶唱片。

You want it to sound like a like a not perfectly kept vinyl.

Speaker 0

这太有趣了。

That's so interesting.

Speaker 0

Suno为什么一开始不获取任何音乐的授权就发布了?

Why did Suno launch without licensing any of the music in the first place?

Speaker 0

你说大唱片公司非常重要,但你们最初却一点授权都没拿。

You're saying that the major labels are very important, and yet you didn't license anything in the beginning.

Speaker 1

我非常尊重音乐。

I do have a lot of respect for music.

Speaker 1

大型唱片公司非常重要。

The major labels are very important.

Speaker 1

但我们所做的是合法的。

But what we did is legal.

Speaker 1

所以我们就这么做了。

And so that's what we did.

Speaker 0

既然你觉得你们能赢官司,那为什么还要和解呢?

Well, then why settle if you feel like you could win the lawsuit?

Speaker 1

我不认为我们所做的是和解。

I don't think of what we did as settlement.

Speaker 1

我觉得这更像是合作关系,能够共同打造我们自己无法独立开发的产品,探索那些我们还不清楚该是什么样子的产品,并推动这些方向向前发展。

And, like, I think of that as much more as a partnership about being able to build products that we can't build on our own and being able to develop products that we don't know what they should look like yet, and to try to do that and push that forward.

Speaker 1

所以这更着眼于长远。

So it's much more long term.

Speaker 1

我认为我有时看到的一个问题是,美元与知识产权之间的交易太多,这固然不错,但非常短期。

And I think a problem that I see sometimes is there are too many, let's say, exchanges of dollars for IP, which is good, but is very short term.

Speaker 1

而音乐公司、科技公司、艺术家和制作人之间真正长期的合作思考却太少。

And there are not enough really long term thinking about partnerships between music companies, technology companies, artists, producers.

Speaker 1

音乐的未来应该是什么样子?

Like, what should the future of music look like?

Speaker 1

我认为,不仅是我们,每个人都应该更多地思考这个问题,尤其是考虑到目前关于人工智能的普遍悲观情绪,这不仅限于音乐领域。

And I I I think not just us, everybody should be thinking about that a little more, especially with how much, let's say, doom and gloom there is about AI in general, not just the music.

Speaker 0

我知道你最近刚看过这一集,但我最近为这个播客采访了环球音乐集团的首席数字官迈克尔·纳什。

I know that you watched this episode very recently, but I recently did an interview for this podcast with Michael Nash, the chief digital officer at Universal Music Group.

Speaker 0

我们聊了很多他们与人工智能公司合作时所关注的重点。

And we were talking a lot about what they're looking for when they're making partnerships with AI companies.

Speaker 0

听到他的见解真的很有意思。

And it was really interesting to hear his insights.

Speaker 0

我之前还真没直接听过他的看法。

I hadn't really gotten to hear that directly from him before.

Speaker 0

他多次提到的一个概念是‘围墙花园’。

One of the things that he talked about quite a bit was the idea of a walled garden.

Speaker 0

所以,对于不了解的人来说,围墙花园的意思是,用户可以在这样一个个人沙盒环境中使用AI工具,但无法下载歌曲并将其用于社交媒体或流媒体服务等外部平台。

So basically, a walled garden would be, for those who don't know, like, a user could use AI tools within this, like, personal sandbox, but you can't download the songs and take them out and use them on social media or streaming services or whatever.

Speaker 0

他说,到目前为止,他们与所有AI公司达成的合作协议都采用了围墙花园模式。

He said that all the AI companies that they have made partnerships with so far have agreed to a walled garden approach.

Speaker 0

我知道,到目前为止,你们并没有采用围墙花园模式。

I know that so far, you know, you guys don't have a walled garden.

Speaker 0

你们有没有考虑过这种选择?

Have you guys ever considered that option?

Speaker 0

你们觉得让Suno采用围墙花园模式可行吗?

And do you think that it would be feasible to have Suno with a walled garden?

Speaker 1

我觉得这个问题比单纯的‘围墙花园’或‘非围墙花园’要微妙得多。

You know, I think this issue is, like, a little more subtle than just walled garden, not walled garden.

Speaker 1

而且我认为这不是非黑即白的问题。

And I think it is it's not black and white.

Speaker 1

关键在于什么应该留在平台上,什么不应该留在平台上。

It's like, what should stay on platform and what should not stay on platform.

Speaker 1

我认为这些非黑即白的观点缺乏细致性,也严重阻碍了大量创新。

And I think that these, like, somewhat black and white views of things lack nuance, they also really prevent a lot of innovation.

Speaker 1

最终,我认为用户希望用音乐做更多他们现在做不到的事情。

And ultimately, I think users want to do more things with music than they can do right now.

Speaker 1

我们的业务就是通过音乐让用户体验到全新的可能性来让他们感到惊喜。

And we are in the business of trying to delight users with new things that they can do with music.

Speaker 1

如果我们不给人们提供新功能,他们就无法实现新的可能。

And if we don't give people new things, they're not gonna get to do new things.

Speaker 1

他们不会愿意为这些新体验支付更多钱,我们也无法真正推动发展、壮大音乐经济。

They're not gonna wanna pay more money for these new experiences, and we will not actually be able to move forward, grow the music economy.

Speaker 1

总的来说,我理解音乐和科技有着复杂的历史,但过度抑制创新最终会让一切变得远比应有的规模小得多。

And I think, in general, I understand that music and technology have a checkered past, but too much inhibition of innovation ultimately keeps things a lot smaller than they ought to be.

Speaker 1

你知道的。

You know?

Speaker 1

所以我经常思考游戏这件事。

So I think a lot about gaming.

Speaker 1

我其实不玩电子游戏,但在游戏中,人们可以做非常多不同的事情。

I don't actually play video games, but, like, in gaming, there are so many different things people can do.

Speaker 1

有特别长的游戏,也有特别短的游戏,有表面浅显的游戏,有和朋友一起玩的游戏,也有自己深入体验的游戏。

There's, like, these really long games, these really short games, these, like, very surface level games, these games you play with your friends, these games that you go deep by yourself.

Speaker 1

市场上有非常多不同类型的产品,也有非常多不同的商业模式。

There's lots of different products out there, and there's lots of different business models out there.

Speaker 1

最终,这能够更精准地满足更多人的需求,完全按照他们想要的方式。

And, ultimately, that caters to a lot more people in exactly the way that they want.

Speaker 1

我认为音乐行业可以从中学到一个教训:我们应该努力按照人们想要的方式去满足他们。

And I think there's a lesson there to learn for the music industry of we should be trying to cater to people how they want.

Speaker 1

是的,我明白消费者想要的和艺术家想要的之间需要平衡,但仍有大量空间可以做大家都明显想要的事情。

And, yes, I understand that there's a balance between what consumers want and what artists want, but there is so much room to do things that obviously everybody wants.

Speaker 1

因此,这就是我们的愿景。

And so that's the vision that we have.

Speaker 1

这正是我们所关注的。

That is what we are focused on.

Speaker 0

嗯。

Mhmm.

Speaker 0

不过,你是否会考虑打造一个封闭的环境呢?

Would you ever implement, like, kind of a closed environment, though, for

Speaker 1

Suno?

Suno?

Speaker 1

完全封闭?

Completely?

Speaker 1

是的。

Yeah.

Speaker 1

我觉得这比实际需要的范围小太多了。

I I think I think that is way smaller than it needs to be.

Speaker 0

嗯。

Mhmm.

Speaker 0

是的。

Yeah.

Speaker 0

嗯。

Mhmm.

Speaker 0

我注意到的一个事情是,Suno 最近在大力投入的方向,我有机会去你们的办公室,见到了一些员工。

And one of the things I've noticed that Suno's really been leaning into recently, I had the chance to go to your offices, meet some of your employees.

Speaker 0

我见到了一位为你们制作播放列表的人。

I met with someone who is curating playlists for you guys.

Speaker 0

看起来你们正在大力关注流媒体体验和在 Suno 平台内的内容消费体验。

And it seems like y'all are leaning into that, like the streaming experience, the consumption experience within the Suno platform.

Speaker 0

我觉得这非常有趣。

I thought that was really interesting.

Speaker 0

我想知道你们在 Suno 的内容消费和流媒体方面有什么目标。

I'm wondering what your goals are with kind of the consumption and streaming side of Suno.

Speaker 1

总的来说,我是这样想的:我们想打造一些直到今天才真正成为可能的东西。

In general, the way I think about this is we wanna be building things that have not really been possible before up until, like, literally today.

Speaker 1

因此,我们的期望和坚定意图是,我们并不是在打造一个恰好包含AI生成音乐的流媒体体验。

And so the hope is and the in strong intention is we're not building a streaming experience that happens to have AI powered music.

Speaker 1

老实说,我认为世界并不特别需要这样的东西。

I don't think the world particularly needs that, honestly.

Speaker 1

是的。

Like Yeah.

Speaker 1

你知道,Spotify上已经有着无穷无尽的音乐供你收听。

You know, there's already infinite music for you to listen to on Spotify.

Speaker 1

世界并不一定需要一个对最终用户而言实质上毫无区别的新体验。

The world doesn't necessarily need just a different experience that actually is the same for the end user.

Speaker 1

因此,在我们的消费型体验中,我们更专注于能为人们提供前所未有的东西。

And so our more consumptive experiences, we are much more focused on what can we give people that has never before been possible.

Speaker 1

无论是用户是深度参与还是被动聆听,还是个性化的类型,这都不只是内容的个性化。

Whether that's in how lean in versus lean out it is, whether that's the types of personalization, and that's not just the personalization of the content.

Speaker 1

也许这实际上是体验本身的个性化。

Maybe that's actually the personalization of the experience.

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Speaker 1

有些使用场景中,我们的目的可能并不是让你在写下一篇论文时连续听上六个小时。

There are consumption experiences, for example, where maybe the intention is not just to have you listen for six hours straight while you're writing your next article.

Speaker 1

也许我们的真正意图是把你从这种被动聆听中拉回来,让你稍微参与音乐、创作一点东西。

Maybe, actually, the intention for you is to pull you in away from that consumption experience and get you to play with music a little bit, get you to create a little bit.

Speaker 1

这在今天之前是完全不可能做到的。

Like, that is something that has not been possible up until approximately today.

Speaker 1

这些正是我们所思考的方向。

So those are the types of things that we think about.

Speaker 0

我认为,很多人对当前流媒体时代的音乐感到不满的一点是,它让我们养成了非常被动地听音乐的习惯。

One of the things that I think a lot of people have disliked about the streaming era of music so far is that a lot of it has trained us to be very lean back with music.

Speaker 0

我们只是放上一份晚餐派对歌单,然后就走开了。

We just put on a a dinner party playlist, and we walk away.

Speaker 0

我们根本不会去关注接下来播放的是什么。

And we're not thinking about what what comes on.

Speaker 0

那位艺术家因为我们的收听只获得了一点点分成,但整个体验却变得极其被动。

And, that artist makes, you know, a fraction of a penny because we're listening to it, but it it becomes a really passive experience.

Speaker 0

我认为这是一个非常有趣的观点,我经常听到关于AI的讨论,认为它会迫使人们更主动地参与,并更深入地思考他们所创作的音乐。

I do think that it's a a really interesting argument that I I hear a lot with AI about the fact that it would force people to lean in a little bit more and to think a little bit more heavily about the music that they're making.

Speaker 0

如果一个人对AI音乐不太了解,我想表达的是,当你创作了一首歌,或者找到了一首你喜爱的歌之后,能够去调整、混音或自定义它。

And I guess if someone really is not super well versed in AI music, I I think what I'm trying to get at when I say that is, you know, after you make a song or after you find a song that you love, being able to tweak it or remix it or customize it.

Speaker 0

所以,值得期待的是

So it'll be interesting to see

Speaker 1

令人兴奋的地方。

what's exciting.

Speaker 1

不过,回到我之前说的,它确实可以是这样。

You know, I think, though, back to what I said before, it can be that.

Speaker 1

但它不一定非得是这样。

It doesn't have to be that.

Speaker 1

这些都是一些选择。

Like, these are choices.

Speaker 1

它会是同样的流媒体体验,只是恰好由AI生成的音乐构成吗?

Is it is it gonna be the same streaming experience, but it happens to be AI powered music?

Speaker 1

还是说,它会是某种以前根本不可能存在的东西?

Or is it gonna be something else that could never have existed before?

Speaker 1

这是一种选择。

That's a choice.

Speaker 1

这是那些创造者和使用者的选择,这正是我所说的以人为本的能动性——想要去做一些前所未有的事情。

Like, that's a choice for the people who built it and for the people who use And so that's what I mean by human agency of like and wanting to do things that had never existed before.

Speaker 1

我认为,在真正大规模的平台上,比如当今一些大型平台,它们往往倾向于迎合最低或最被动的共同标准,也就是你提到的聚餐场景。

And I think that there's something about platforms at true scale, like some of the big platforms today, that they tend to cater to the, let's say, lowest or most passive common denominator, which is the dinner party use case that you said.

Speaker 1

我认为这也是当前商业模式的一个问题。

And I think that is also that that is a problem with the current business model.

Speaker 1

如果只有一种产品,它就会迎合最低共同标准。

If there's one offering, it will cater to the lowest common denominator.

Speaker 1

如果有多种选择,你就能在人们希望被满足的地方捕捉到他们对音乐的需求。

And if there are multiple offerings, you have the ability to capture people where they wanna be captured with music.

Speaker 1

围绕这一点,有无数更多的可能性。

And there are just so many more possibilities around that.

Speaker 0

是的。

Yeah.

Speaker 0

你们最近推出了一项功能,我觉得非常有趣。

And you guys recently launched a feature that I I find to be really interesting.

Speaker 0

它有点像垂直方向的,差不多像TikTok那样,我不确定。

It's kind of a vertical, almost like a TikTok like I don't know.

Speaker 0

你会称它为社交媒体吗?

Would you call it social media?

Speaker 0

它叫什么名字?

What's it called?

Speaker 0

Hooks?

Hooks?

Speaker 0

Hooks?

Hooks?

Speaker 0

是的。

Yeah.

Speaker 0

在这个功能里,你们鼓励大家搭配自己的歌曲创作视频,然后其他人就可以基于这些内容进行二次混音创作

Where you encourage people to make videos along with their songs, and then from there, people can remix

Speaker 1

是吗?

them?

Speaker 1

完全正确。

Exactly.

Speaker 1

对。

Yeah.

Speaker 1

所以这个功能的初衷并不是让你永远不停地刷内容。

So the intention is not to keep you scrolling forever.

Speaker 1

实际上,它的设计目的恰恰相反。

In fact, the intention is the opposite.

Speaker 1

我们的想法是让你刷到自己真正喜欢的内容就停下,然后去用这个内容做点什么。

The intention is to keep you scrolling till you hit something that you really like, and then to go do something with it.

Speaker 1

你可以对它进行二次创作,或者一键点开听完一整首歌,还能了解更多和这个内容相关的信息。

To go remix it, to go listen to the whole song with one click, to find out a little bit more about that.

Speaker 1

something that doesn't really exist today.

Something that kinda doesn't exist today.

Speaker 0

是的。

Yeah.

Speaker 0

我想象,考虑到你刚刚完成了这笔规模庞大的C轮融资,筹集了2.5亿美元,你花了很多时间与音乐产业和投资界人士交流。

I imagine for you, given you just finished up this massive series c funding round, $250,000,000 raised, that you spend a lot of your time talking to both the music industry and to the investor worlds.

Speaker 0

而这两者是截然不同的群体。

And those are two very different groups of people.

Speaker 1

是的,确实如此。

Yes, they are.

Speaker 0

所以我想知道,他们对Suno的看法有什么不同?

So I'm wondering what are kind of the differences in how they view Suno.

Speaker 0

你能谈谈你与这两个不同群体进行的对话吗?

Tell me about kind of those different conversations that you have with those two different groups.

Speaker 1

你知道,这其实非常有趣。

You know, it's it's really interesting.

Speaker 1

我觉得,简单来说,这就像是洛杉矶和旧金山之间的区别。

I think, just to cartoonize it, it's like it's like LA versus San Francisco, basically.

Speaker 1

对吧?

Right?

Speaker 1

我的意思是,这么说有点过于简化了。

I mean, you know, that's that's like a little bit reductive.

Speaker 1

我认为双方都以某种极端、缺乏细致且负面的眼光看待对方。

I think both see the other in some sort of extreme and non nuanced and negative light.

Speaker 1

其实,他们俩都错了。

It's just they're both wrong, honestly.

Speaker 1

你知道吗?

You know?

Speaker 1

所以我经常思考这个问题。

And so it's like, you know, I think about this a lot.

Speaker 1

科技圈的人觉得音乐圈的人不懂技术,是反技术的;而音乐圈的人则认为科技圈的人只想颠覆一切,根本不关心艺术。

It's like the tech bros, think that the music people just don't get technology and they're Luddites, and the music people, the tech think the tech bros are just here to disrupt everything and not care about art.

Speaker 1

显然,现实是介于两者之间的。

And obviously, the reality is something in between.

Speaker 1

我告诉你,对我来说,无论住在哪个地方,都真的让人眼界大开。

I'll tell you, like, for me, it's actually really eye opening living in either place.

Speaker 1

是的。

Yeah.

Speaker 1

而且能从两者之间保持一点距离。

And having a little bit of distance from both of them.

Speaker 1

这两座城市都有大量的日常干扰,比如在你最爱的社交媒体平台上,或者不管是什么平台。

Both cities have, like, so much day to day interruption, let's say, you know, on your favorite social media platform or whatever it is.

Speaker 1

能保持一点距离,真的非常舒服。

And it's, like, incredibly nice to have some distance.

Speaker 1

所以,是的,我认为,我有自己的很多看法。

So, yeah, I think, look, I, you know, I have a lot of opinions of my own.

Speaker 1

我肯定其中不少是错的。

I'm sure plenty of them are wrong.

Speaker 1

但我们努力以我们自己喜欢的方式谈论公司,而不是以我们以为别人喜欢的方式去谈。

But we try to talk about the company the way we like to talk about the company and not the way we think other people like to talk about the company.

Speaker 1

最终,如果你在向投资者推介时,只是试图告诉他们你认为他们想听的内容,我觉得这根本不是一个好主意。

Ultimately, like, if you're trying to pitch an investor and you're trying to tell them what what you think they wanna hear, I I just don't think that's a good idea.

Speaker 1

你必须按照你自己的理解方式,以及你希望他们理解的方式去讲述,而不是反过来。

You have to talk about it like the way you think about it and the way you want them to understand it, not not the other way around.

Speaker 1

嗯哼。

Mhmm.

Speaker 0

你认为一些对Suno持怀疑态度的人对它有什么误解?

What do you think some skeptics get wrong about Suno?

Speaker 1

我觉得很多人以为只要在文本框里输入六个词,就会出来一首糟糕平庸的歌,却没意识到其中还有更多内容。

I think a lot of people think it is just type six words into a text box and out comes a crappy mediocre song and not realizing that there's so much more to it.

Speaker 1

你必须向他们展示出来。

And you have to show them.

Speaker 1

这就是为什么我们会举办创作营,例如。

And that's why we have writing camps, for example.

Speaker 1

对吧?

Right?

Speaker 1

你得让他们看到,这背后还有很多东西。

You have to show them that there's a lot more to it.

Speaker 1

如果你只有三分钟,他们只会看到那种对音乐极其表面的互动,你没有足够的时间吸引他们。

If you have three minutes, they're gonna see that that one very surface level interaction with music, and you're not gonna have enough time to pull them in.

Speaker 0

嗯。

Mhmm.

Speaker 0

你之前上过一个播客,我听说那句话一直困扰着你。

So you were on a podcast a while back, and I've heard that this quote has haunted you.

Speaker 0

所以我想提一下,看看

So I I wanna bring it up and see

Speaker 1

说说看。

Bring it up.

Speaker 0

你现在有没有什么想补充的?

If you have anything to add to it now.

Speaker 0

你之前说过,‘我认为大多数人并不享受他们花在创作音乐上的大部分时间。’

You previously said, quote, I think the majority of people don't enjoy the majority of time they spend making music.

Speaker 0

这句话在社交媒体上已经流传了好几次。

This has made the rounds on social media quite a few times.

Speaker 0

所以我想知道,你是否想对这句话做些澄清或补充评论?

So I'm wondering if you have anything you'd like to clarify or comment on that.

Speaker 1

当然。

Sure.

Speaker 1

首先,我自己不上社交媒体其实是有帮助的。

One, I'll say it actually helps not to be on social media myself.

Speaker 1

就是这样。

There you go.

Speaker 0

但我还是在社交媒体上看到了。

I see it on social media then.

Speaker 1

我的意思是,是的,我确实说过这话。

I mean, yeah, I I did say that.

Speaker 1

我真希望当时用了不同的措辞。

I really wish I had chosen different words there.

Speaker 1

你知道,了解我的人都知道,我显然非常享受创作音乐的过程,我每天都会玩音乐,不只是在Suno上,还包括各种乐器。

You know, I think people who know me know that I obviously enjoy the hell out of making music, and I play music every single day, not just on Suno, but instruments.

Speaker 1

你知道,我当时想表达的是,音乐制作中有很多枯燥乏味的部分。

You know, the thing that I was trying to get at is there's a lot of tedium in producing music.

Speaker 1

没错,挣扎是其中重要的一部分,但你也可以选择另一种不同的方式来磨练自己的技能。

And, yes, the struggle is an important part of it, but there is potentially a different struggle that you can have to hone your skill.

Speaker 1

最近有人问我,人们是不是还得花一万小时来学习自己的技艺?

You know, somebody asked me recently, like, are people still gonna have to spend ten thousand hours learning their craft?

Speaker 1

答案是百分之百。

And the answer is a 100%.

Speaker 1

几年后,你在那一万小时里所做的事情,可能会和今天大不相同。

What you do in those ten thousand hours may be very different in a few years from what it is today.

Speaker 1

但当然,如果你想成为自己所追求领域中最顶尖的人,你就必须这么做。

But of course, you're gonna have to do that if you wanna be the best at whatever whatever it is that you're trying to be.

Speaker 1

正如我所说,我希望自己当时选了稍微不同的措辞,但了解我的人都知道,我的表达方式有点特别。

Like I said, I wish I had chosen slightly different words, but it's like people who know me know that that's clipped in a slightly interesting way.

Speaker 0

你最近说过另一个很棒的比喻,说Suno是音乐界的司美格鲁肽,意思是虽然人人都在用,却没人公开谈论。

Another great quote that you had recently was that Suno is the Ozempic of music, which you meant to say was that essentially everyone's using it, but no one's talking about it.

Speaker 0

我想知道你能不能稍微展开说说这一点。

I I'm wondering if you could kind of elaborate on that.

Speaker 0

因为我在对音乐行业的报道中听到,有很多专业词曲作者和制作人,有些甚至不愿公开身份,但他们每天都使用Suno。

Because I've heard in my reporting around the music industry, there are a lot of professional songwriters and producers, some who are just not willing to be public, that are using Suno every day.

Speaker 0

你在那边看到的情况是怎样的?

What are you seeing on your side?

Speaker 0

现在音乐界到底有多少人在使用Suno?

How many people are using Suno right now in music?

Speaker 1

首先,我要澄清,那句话不是我说的。

First of all, let me say, that is not my quote.

Speaker 1

哦,不是你说的吗?

Oh, was it not?

Speaker 1

那不是我的话。

That is not my quote.

Speaker 0

我不是聪明。

I'm not I'm smart.

Speaker 1

好的。

Okay.

Speaker 1

不。

No.

Speaker 1

不。

No.

Speaker 1

我喜欢这句话。

I love that quote.

Speaker 1

我会的。

I will.

Speaker 1

我总是说,嘿,非常棒的词曲作者。

I I and I always say, hey, very good songwriter.

Speaker 1

你这么一说,可能有人不愿意对这个评论保持礼貌。

Put it to me like that, who may not wanna be polite with that comment.

Speaker 0

好的。

Okay.

Speaker 0

等一下。

Wait.

Speaker 0

澄清一下,词曲作者告诉了你,然后你重复了,而这个话是被转述给你的。

To clarify, the songwriter told you, and then you repeated it, and it was quoted to you.

Speaker 1

没关系。

That's okay.

Speaker 1

我没有聪明到能想出这个比喻。

I am not clever enough to come up with with that analogy.

Speaker 1

好的。

Okay.

Speaker 1

我觉得这大致是对的。

I think it's approximately right.

Speaker 1

是的。

Yeah.

Speaker 1

对。

Yeah.

Speaker 1

听好了。

Look.

Speaker 1

我们从我们的VIP项目中看到这种情况。

We see this from, let's say, our VIP program.

Speaker 1

我们有一个VIP项目,主要是许多顶尖专业人士使用我们的产品,他们会帮助我们开发功能,如果他们在平台上遇到问题,还会直接与我们通话。

We have a VIP program, which is basically a lot of, you know, top professionals who use the product, who will help us develop features, who will, you know, be on the phone with if they have some some problems with with the platform.

Speaker 1

这是一份很长的名单。

And that's a big list.

Speaker 1

名单上有一些你认识的名字。

There's names on it that you know.

Speaker 1

有趣的是,衡量任何产品——尤其是消费类产品——的一个重要方式是留存率。

The amazing thing is one of the ways you can measure any product, but a consumer product, is retention.

Speaker 1

这就像是用户有多频繁地回到产品中,你希望这个比例非常高。

It's like how often are people coming back to the product, and you want that to be really high.

Speaker 1

这些VIP用户的留存率远高于其他任何人。

And the retention of those DIPs is way higher than it is for anyone else.

Speaker 1

这是因为他们在日常创作流程中每天都使用这款产品。

And it's because they use the product every day in their daily creative workflows.

Speaker 1

很多是制作人和词曲作者。

It's a lot of producers and songwriters.

Speaker 1

是的。

Yeah.

Speaker 1

我一时记不清确切数字,但有好几千人。

I I don't know the exact number offhand, but it's it's thousands.

Speaker 0

那么你的目标受众是谁?

So who's your target audience?

Speaker 0

是VIP项目中的专业人士,还是有志成为专业人士的人?

Is it the VIP program, your your professionals or your aspiring professionals?

Speaker 0

还是说,如果我妈妈想做一首趣味歌曲呢?

Or is it my mother if she wants to make a novelty song?

Speaker 0

比如,是的,就是这样。

Like, what yeah.

Speaker 0

我们到底在说什么?

What are we talking about?

Speaker 1

我觉得这显然是面向每个人的。

I think about this as it's obviously everyone.

Speaker 1

每个人都喜欢音乐。

Everyone loves music.

Speaker 1

为什么同一个平台和工具,既能用来制作世界上最好的音乐,却不能也变得有趣、吸引人,让妈妈发现创作音乐有多好玩呢?

Why does it have to be that the same platform and tools that can be used as part of making the best music in the world can't also be really fun and engaging and have your mom discover how fun it is to make music.

Speaker 1

而且,你知道,我们在用户购买吉他这件事上就有一个微观缩影。

And, you know, we have, like, a microcosm of this with, like, people buy guitars.

Speaker 1

人们买吉他是因为他们喜欢弹吉他。

People buy guitars because they like to play guitar.

Speaker 1

他们不一定觉得自己会成名,但弹吉他很有趣。

They don't necessarily think they're gonna become famous, but it's fun to play guitar.

Speaker 1

也许你有一个最喜欢的艺术家,他有一款签名吉他,你买了这款签名吉他,就会觉得自己离那位艺术家更近了一点。

And maybe you have a favorite artist who has a signature guitar, and you buy their signature guitar, and you feel a little bit closer to that artist.

Speaker 1

我认为,使用和创作我最爱音乐的人相同的工具,这种感觉非常了不起且令人向往。

And I think there's something amazing and aspirational about, like, I am using the same tools that the people who make my favorite music use.

Speaker 1

我认为,很少有产品具备这种特质,而这是我们非常努力想要突出的一点。

And not a lot of products have that, I think, and and something that we try to lean into very hard.

Speaker 0

真的能让每个人都来创作音乐吗?

Is it really possible to get everyone to make music?

Speaker 0

人们真的想这么做吗?

Do people really want to?

Speaker 0

你知道,我妈妈真的会注册使用吗?

Like, you know, would my mom actually sign up?

Speaker 0

如果她真的注册了,她能长期坚持下去吗?

And if she did, would she retain for very long?

Speaker 0

或者她只是做一首歌就走了?

Or would she just make a song and leave?

Speaker 1

我的意思是,我们的使用数据表明,想要这个的人多得惊人,远远超出了任何人的预期。

I mean, I think our our usage is showing that a hell of a lot of people, way more than anybody expected, want this.

Speaker 1

而且,回到投资者和艺术家的问题上,我认为双方都搞错了。

And, you know, back to the investors and versus artists, I actually think it's something that both got wrong.

Speaker 1

你知道,一开始有很多怀疑者。

You know, there were a lot of skeptics at the beginning.

Speaker 1

投资者那边总在想,为什么每个人都想做音乐?

It's like, why does everybody wanna make music on the investment side?

Speaker 1

为什么我要给你钱?

Like, why do I wanna give you money?

Speaker 1

你的受众会非常小。

Like, your audience is gonna be very small.

Speaker 1

我认为他们最终在这些方面都错了。

And I think they ultimately got a lot of that wrong.

Speaker 1

艺术家们也在说,为什么每个人都想做这个?

And artists also saying like, why why is everyone gonna wanna do this?

Speaker 1

帮我打造一些最强大的工具,这些工具只是现有工具的复制品,但对其他人来说更不有趣、更不直观。

Build me, you know, the most powerful tools that are clones of the current tools that will be less fun and intuitive for everyone else to use.

Speaker 1

但这也不是我们该做的事。

And that's also not what we ought to do.

Speaker 0

好的。

Okay.

Speaker 0

所以你现在进入了C轮融资。

So now you're in your series c.

Speaker 0

我想知道,从你最初为Suno融资时到现在,你的对话发生了怎样的变化。

I'm wondering how your conversations changed from the beginning when you were initially trying to fundraise for Suno versus now.

Speaker 0

因为现在看起来,我觉得肯定有很多投资者都想加入,但当初,第一次谈融资时一定很难。

Because, I mean, now it feels like I could imagine there's a lot of investors hopping on the bandwagon, but before, it it must have been hard to have those first conversations.

Speaker 1

是的。

Yes.

Speaker 1

实际上,一开始我们在认为这甚至可能之前就筹集了资金。

Actually, at the very beginning, we raised money before we thought this was even possible.

Speaker 1

所以那是一场完全不同的对话。

And so that was a very different conversation.

Speaker 0

等等。

Wait.

Speaker 0

那你们是怎么做到的?

And so how did you do that?

Speaker 0

是因为你们之前创业的成功,所以你们就自然而然地?

Is it just because of the success of your previous startup that you just kind of?

Speaker 1

我们有一个可行的产品,专注于对音乐的理解,而不是创作音乐。

We had a working, like, product that was all around understanding of music and not making of music.

Speaker 1

我们觉得真正创作音乐太难了,但理解音乐更容易,你可以这样想。

And it's because we thought it would be too hard to actually make it, but it's easier to understand it, you can think.

Speaker 1

就像每个人都能描述音乐一样。

It's like everybody can describe music.

Speaker 1

只有少数人能创作音乐,类似这样的情况。

Only some people can make music, something like that.

Speaker 1

你可以有一个卡通形象。

There's a like a cartoon you can have.

Speaker 1

有个有趣的故事。

Funny story.

Speaker 1

我们第一轮融资是在一家名为硅谷银行的银行倒闭之际进行的,这家银行是科技界人人都在使用的,而就在它倒闭的时候。

We raised our first round of capital right when there was a bank called Silicon Valley Bank that everybody in tech used and right when that collapsed.

Speaker 1

那是一轮很难筹到资金的融资,但我认为实际上很大程度上正是因为那件事,而且大多数人不知道自己的钱在哪里。

And that was a difficult round to raise, but I I think it was actually largely because of that, and most people didn't know where their money was.

Speaker 0

这很有趣。

That's interesting.

Speaker 0

是的。

Yeah.

Speaker 0

是的。

Yeah.

Speaker 0

在音乐领域,我只是远远地关注着,但你确实深陷其中。

In the music world, I was just kinda watching that from afar, but, yeah, you're in the thick of it.

Speaker 1

我们确实深陷其中。

We were we were in the thick of it.

Speaker 0

等等。

Wait.

Speaker 0

好的。

Okay.

Speaker 0

那么在生成音乐之前,你们之前做的是什么?

So so what was this previous thing before generating music?

Speaker 0

用的是同样的技术。

It was it was Same technologies.

Speaker 1

所以,好吧。

So Okay.

Speaker 1

那是很久以前的事了。

It's ages ago.

Speaker 1

想想在ChatGPT之前的时候。

Think to, like, before ChatGPT.

Speaker 0

是的。

Yeah.

Speaker 0

我根本就没想过我们。

I I just don't even think I We

Speaker 1

根本还没出生呢。

weren't even alive.

Speaker 1

但在ChatGPT之前就已经有GPT了。

But there was still GPT before ChatGPT.

Speaker 1

它是一种工具,人们可以用它来处理大段文字,更好地理解它们。

And it was a tool that people could use to take paragraphs of text and try to understand them better.

Speaker 1

它可以用来,比如说,对文本进行分类。

And it could be to, let's say, classify it.

Speaker 1

所以你会去翻阅所有的老版Billboard档案,然后判断这篇文章是关于艺人还是经纪人?

So you're gonna go through all of the old Billboard archives, and you're gonna say, like, is this article about an artist or a manager?

Speaker 1

你知道的吧?

You know?

Speaker 1

你会构建一个小型模型,让它处理所有内容,判断这篇文章是关于艺人还是经理?

And you'll build, like, a little model that can go through everything and figure out, is this is this article about an artist or a manager?

Speaker 1

好的。

Okay.

Speaker 1

所以,这就像是

So, it's like

Speaker 0

是的。

Yeah.

Speaker 0

只是数据。

Just the data.

Speaker 1

通过它。

Through it.

Speaker 1

而且,我们当时在构建它,用的是同样的技术,但那时候算力较弱,只能理解一些内容。

And, like, we were building it's the same technology, but when it is less powerful, it is only able to understand stuff.

Speaker 1

你可以想,我们当时在开发这些技术,是为了判断一首歌是流行乐还是摇滚乐?

And you could think, like, we were building these things to understand, is this pop or is this rock?

Speaker 1

我的意思是,当然比这要复杂一点。

I mean, like, little a little more complicated than that, of course.

Speaker 1

因为我们觉得这很难,所以认为要过很多年才能用同样的技术来创作音乐。

And because we thought it would be hard, we thought it would take years before you could use the same technologies to actually make music.

Speaker 1

但我们取得了正确的突破,结果我们错了。

And we had the right breakthroughs, and we were wrong.

Speaker 1

那是全世界最棒的一次犯错。

And that's the the that was, like, the best being wrong in the world.

Speaker 0

好吧,给我描述一下当时的场景。

Well, just, like, set the scene for me.

Speaker 0

我想象那就像电影里的情节,疯狂的发明家创造了他从未想过能实现的东西,然后它活了过来。

Like, I I imagine it's, like, something out of a movie where, like, the the mad inventor creates the thing that he never thought he could create, and it comes to life.

Speaker 0

那种你突然意识到‘我们真的能做到’的时刻,是什么时候?

Like, when was that moment when you were like, oh, we can do this?

Speaker 1

我想我当时正坐在联合创始人盖尔克的厨房餐桌旁,挨着他。

I think I was sitting at my cofounder Gayork's kitchen table with next to him.

Speaker 1

你知道,他当时说,你一直在做这些事,几个月来都在研究同一个东西,但什么都没成功。

And, you know, he was like, you're doing stuff, and you've been working on the same thing for months, and nothing works.

Speaker 1

然后呢,你又试了最后一下,心想,好吧,也许这次能行。

And then and, know, and then you, like, do one more thing and you're like, alright, maybe this will work.

Speaker 0

嗯。

Mhmm.

Speaker 1

然后你点击回车,突然传出了一段勉强能听的声音,你知道的,你就说,好吧。

And then you're like, you click enter and, like, vaguely passable sound comes out, you know, and you're like, Okay.

Speaker 1

咱们继续吧。

Let's keep going.

Speaker 0

好。

Okay.

Speaker 0

所以那并不是那种盛大的、令人震惊的时刻,比如‘天啊,我们彻底改变了音乐产业’,是

So it wasn't like some big climactic, oh my god, we just changed the music industry, is

Speaker 1

不。

No.

Speaker 1

实际上,不是什么巨大的突破。

Actually, big clim no.

Speaker 1

完全不是。

Not at all.

Speaker 1

但最初出来的东西,你要是说那是音乐,那真是非常宽容了,你知道吗?

But it like, the first things that came out, you would be very generous to call music, you know?

Speaker 1

有组织的噪音,是的。

Organized noise, Yeah.

Speaker 1

有组织的、有规律的声音。

Organized organized sounds.

Speaker 1

好的。

Okay.

Speaker 1

好的。

Okay.

Speaker 1

而且它们确实是声音。

And they were definitely sounds.

Speaker 1

实际上,一个更有意识的决定是:我们在白天仍然在构建意义理解系统,而在晚上则用这些声音来娱乐、创作音乐。

Much more of an intentional decision was actually to say, we're still building the sense making thing during the day, and we're using these things for fun at night to make music.

Speaker 1

我们到底在做什么?

What are we doing?

Speaker 1

为什么我们不做那些你根本放不下的事情呢?

Like, why why are we not doing the thing that, like, you know, we can't put down?

Speaker 1

而且要放弃一件事。

And to abandon one thing.

Speaker 1

那是一个更加明确、深思熟虑的决定。

And, like, that was a much more deliberate deliberate decision.

Speaker 1

我对此的记忆要好得多。

That I remember much, much more favorably.

Speaker 0

之前那个想法的商业计划是什么?

What was the business plan for the previous idea?

Speaker 0

那这些使用场景是什么呢?

Like, what were the use cases?

Speaker 1

很多人都有很多音乐和音频文件,但要理解和整理它们真的非常困难。

Lots of people have lots of music and audio, and it is really gnarly to understand and make sense of.

Speaker 1

如果你能为人们打造这样的工具,他们就会愿意去使用。

And if you can build people tools to do it, they will wanna do it.

Speaker 1

当时,你几乎只能做非常糟糕的语音转文字。

And at the time, basically, the only thing you could do was, like, very crappy transcription.

Speaker 1

所以,这里有一个音频文件。

So here's, like, an audio file.

Speaker 1

它可能是一首歌。

It could be a song.

Speaker 1

也可能是一个播客。

It could be a podcast.

Speaker 1

我能把歌词或者文字提取出来吗?

Can I, like, pull the lyrics or the text out?

Speaker 1

就这些了。

That was about it.

Speaker 1

那时人们能做的也就这些了。

That was about all people could do.

Speaker 1

我们觉得,你其实可以做得更多。

And we said, you can probably do more.

Speaker 1

于是我们开始尝试更多,并且做到了。

And so we started to do more, and we did.

Speaker 1

但那远没有我们原本想做的那么有趣或有影响力,感觉也不够对劲。

But it wasn't nearly as fun or impactful, or it didn't feel nearly as right as what we wanted to do.

Speaker 0

是的。

Yeah.

Speaker 0

那么,Suno 产出的第一首好歌是什么时候?

So when was, like, the first good song from Suno?

Speaker 1

哦,这个问题太主观了。

Oh, that's a that's such a subjective question.

Speaker 0

是的。

Yeah.

Speaker 0

但有没有那么一个关键时刻,让你意识到:这不只是好玩、有点吵闹而已?

But, like, was there, like, a big moment where you're like, okay, this isn't this isn't just like a this is fun, and it's kinda noisy and whatever.

Speaker 1

这是真实的。

This is real.

Speaker 1

我想我们称之为第一版,它真的能唱歌。

Was like I think we called it version one, and it it could sing.

Speaker 1

当时其他公司和人只能做出小循环或单个音符,没人能做出完整的歌曲。

And nobody else there were other companies and people out there who could make little loops or notes, and nobody could make songs.

Speaker 1

对。

Yes.

Speaker 1

歌曲有一种特别之处。

And there's something really special about a song.

Speaker 1

歌曲是一个故事。

A song is a story.

Speaker 1

这不是背景音乐。

It's not background music.

Speaker 1

对吧?

Right?

Speaker 1

关键是,我们要做出最好的音乐,让每个人都能创作出内心真正想表达的东西。

It's and the whole point is, like, to make, like, the best music and to make people able to create the things that are in their hearts.

Speaker 1

所以,那真的、真的非常重要。

And so, like, that was, like, that was, like, really, really important.

Speaker 1

所以,那个能真正做到这一点的就是版本一。

And so that was V1 that could, like, really do that.

Speaker 1

而且,说实话,它并不算好,你知道的?

And again, not good, you know?

Speaker 1

但至少,它们是完整的歌曲。

But like, it but they were songs.

Speaker 0

我记得第一次使用Suno的时候。

I remember the first time that I tried Suno.

Speaker 0

我当时被深深震撼了,不仅是模型的质量,还有它真正将歌词生成、人声生成和乐器伴奏结合在一起的能力。

I I was just really struck by well, the quality of the model, but the fact that it it really did put together lyric generation, voice generation, and instrumental.

Speaker 0

因为我当时在报道AI音乐的早期阶段,那时大多数公司产出的都只是一些质量很差的纯乐器片段。

Because I was reporting on the early stages of AI music, and it was mostly just kinda crappy instrumentals from a bunch of different companies.

Speaker 0

当时没有哪个产品能脱颖而出。

There was no front runner.

Speaker 0

有些比其他的稍好一些。

Some of them were better than others.

Speaker 0

那时候感觉更像是新奇玩意儿,纯粹是噱头。

Like, it just kinda felt like it was more it it was it was very novelty at the time.

Speaker 0

是的。

Mhmm.

Speaker 0

我当时完全没想到,竟然会有一天,你能在几秒钟内把所有这些功能整合在一起。

And I just didn't really know when it was gonna get to the point where you just could do all of those different things and put them together within seconds.

Speaker 0

而对我来说,Suno就是那个转折点,而且它

And, yeah, Suno felt like the moment for me, and it

Speaker 1

谢谢。

Well, thank you.

Speaker 1

对我们来说也是,你知道,在早期产品开发中,你必须做出选择,决定要解决什么问题,不解决什么问题。

For for us too, you know, I think there's something about early product development where you you have to make choices of what you're gonna try to solve and not solve.

Speaker 1

对我们来说,很明显我们想创作有歌词的音乐,而不是只做纯器乐,因为那样更能引起人们的共鸣。

And it was very obvious to us that we wanted to make lyrical music, or that, like, we didn't wanna make just instrumental music because that is, like, that's what resonates with people.

Speaker 1

我认为,我们人类天生就更容易对人声产生共鸣。

I think that there's something, I think, like, we evolved to resonate with the human voice sound.

Speaker 1

这对我来说似乎非常合理。

Like, that seemed very plausible to me.

Speaker 1

但我记得一开始,我们甚至无法控制音乐风格。

But I remember at the beginning, we didn't even have control over the genre.

Speaker 1

所以模型基本上会从歌词中推断出风格。

And so the models would basically infer the genre from the lyrics.

Speaker 1

于是我们看到有人会篡改歌词,比如在开头加上‘yo yo yo’,因为他们就是希望生成的是说唱音乐。

And so we'd see people hacking their lyrics and, you know, putting, like, yo yo yo at the beginning because they just demanded that it come out as rap.

Speaker 1

你知道吧?

You know?

Speaker 1

而且那时候简直就是触发词一样。

And and it was like it was like totally They're like trigger words.

Speaker 1

是的。

Yes.

Speaker 1

没错。

Exactly.

Speaker 1

没错。

Exactly.

Speaker 1

然后我们找到了如何控制,你知道的,就是一步步地构建起来。

And then we figured out how to control the you know, it's like so you you build it up step by step.

Speaker 0

这真的很有趣。

That is really interesting.

Speaker 0

天啊,我的意思是,现在我们已经有这么多音乐了。

Man, I mean, already, we have so much music out there.

Speaker 0

我们有十万首歌曲。

We have a 100,000 songs.

Speaker 0

我觉得这个数据还是成立的。

I think it's still the stat.

Speaker 0

我觉得他们刚刚更新了数据。

I think they just updated it.

Speaker 0

可能比这个数字还要多一点。

It might be a little bit more than that.

Speaker 0

但每天有十万首歌曲上传到流媒体平台。

But 100,000 songs uploaded to streaming services every day.

Speaker 0

越来越多的这每天十万首歌曲是AI生成的。

Increasingly, a share of that 100,000 daily are AI generated songs.

Speaker 0

我想知道你如何看待流媒体平台上的AI生成歌曲。

I'm wondering how you view AI generated songs on streaming platforms.

Speaker 0

你觉得它们应该和完全由人类创作的音乐并列存在吗?

Do you think that they should live just right alongside fully human generated music?

Speaker 0

当然,还有介于两者之间的灰色地带,也就是大多数情况:既有AI部分,也有人类参与的辅助创作。

And then, of course, the gray area in between, which is most things where you have AI assisted stuff that has human parts, AI parts.

Speaker 0

我不知道。

I don't know.

Speaker 0

在你的理想世界里,AI生成或AI辅助的音乐在音乐产业中应该如何被对待呢?

Just in your dream world, how would AI generated AI assisted music be treated in the Yeah.

Speaker 0

商业环境中?

Commercial landscape?

Speaker 1

你知道吗,在我的理想世界里,并不存在两种音乐。

You know, in my dream world, there aren't two worlds of music.

Speaker 1

我认为,这根本说不通,因为存在那么多灰色地带。

I think, again, that's just it doesn't make sense because of all that gray area.

Speaker 1

而且,这对最终用户也不利,因为他们不想去思考:你知道吗,如果回溯到流媒体早期,你必须使用多个流媒体平台,因为不是所有音乐都集中在同一个平台上。

It's also just not as good for the end user who doesn't wanna be thinking it like, you know, if if you rewind history back in the early days of streaming, like, you needed to have multiple streaming platforms because not all the music was on one.

Speaker 1

我不希望我们生活在那样的世界里。

I don't think we wanna live in that world.

Speaker 1

也许吧,但我并不想生活在一个必须操心哪些音乐在哪个平台上的世界里。

Maybe we do, but I don't I I don't particularly wanna live in that world and have to be thinking about what's on which platform.

Speaker 1

我也不想成为界定那片灰色地带界限的人。

I also don't wanna be the arbiter of where the line is in that gray area.

Speaker 1

而且,不应当由某个单一实体来担任这个裁决者。

Like, that and there shouldn't be one entity that is the arbiter of that.

Speaker 1

这应该是一个社会性的决定,而且会随着技术的发展而变化。

Like, that's a that's a societal decision, and that's a decision that's gonna change with the technology.

Speaker 1

所以我认为,从一开始我们就必须承认这一点。

And so I think, like, that's something we have to just acknowledge from the get go.

Speaker 1

这涉及到科技公司、音乐公司、艺术家、创作者、政府等方方面面,是一个复杂的混合体。

And that's a weird mix of technology providers, music companies, artists, creative, government, you know, like, all of these things.

Speaker 1

这确实是一个难以解决的棘手问题。

It's like, this is a messy problem to solve.

Speaker 1

我绝对不想成为做这个决定的人。

I definitely don't wanna be the one to make that decision.

Speaker 0

是的

Yeah.

Speaker 0

而且,我是说,在Suno的流媒体服务消费端,你正试图进行创新,让它变得更有趣,就像你之前提到的那样。

And, I mean, with the kind of consumption streaming service side of Suno, you're trying to innovate there and make it more interesting, as you were talking about earlier.

Speaker 0

你有没有想过,未来会允许所有发行商上传他们想上传的任何音乐,就像Spotify、Apple Music和Amazon Music现在允许用户做的那样?

Do you ever see a time when you start allowing just, you know, all distributors to upload any music that they'd like to, similar to what Spotify and Apple Music and Amazon Music allow users to do now?

Speaker 0

你能否想象Suno上会出现人类创作的音乐,人们用它来玩乐?

Like, could you see human made music on Suno that people are playing with?

Speaker 1

Suno上已经有真人创作的音乐了。

There is human made music on Suno.

Speaker 1

人们上传自己的作品,然后进行翻唱和改编。

People are uploading their own stuff, and then they cover it, and they play with it.

Speaker 1

这是一个非常重要的词曲作者使用场景。

That is a huge songwriter use case.

Speaker 1

拿

Take

Speaker 0

哦,有意思。

Oh, interesting.

Speaker 0

好的。

Okay.

Speaker 1

一个非常低音质的录音,像是我手机里录的语音备忘录,不是我录的,而是一位比我更有才华的词曲作者录的钢琴和人声,或者吉他和人声。

A really low fidelity, like, voice note recording from my phone, not me, but a songwriter who has more talent than I do, of piano and vocals or guitar and vocals.

Speaker 1

你可以用Suno瞬间将这段录音重新演绎成任何你想要的音乐风格。

And you can use Suno to instantly, basically, reimagine that in any genre you want.

Speaker 0

哦,我试过这个。

Oh, I have tried that.

Speaker 1

是的。

Yeah.

Speaker 1

这太棒了。

And it's awesome.

Speaker 1

是的。

Yeah.

Speaker 1

是的。

Yeah.

Speaker 1

而且这太棒了。

And it's awesome.

Speaker 1

你可以拥有这首歌,原本以为它是一首朋克摇滚歌曲,结果却发现它作为非洲节拍音乐效果更好。

And you can have that song, and you thought it was like a punk rock song, and then it turns out it just worked way better as Afrobeats.

Speaker 1

而且,它现在已经不是一首朋克摇滚歌曲了。

And, like, it's now it's not a punk rock song anymore.

Speaker 1

抱歉。

Sorry.

Speaker 1

这太棒了。

And that's awesome.

Speaker 1

对吧?

Right?

Speaker 1

是的。

Yeah.

Speaker 1

所以已经有人类创作的音乐了。

So there's already human made music.

Speaker 1

但,像你描述的那样,我认为答案是否定的。

But, like, to answer your question, I think in the way that you are describing it, no.

Speaker 1

但从长远来看,肯定会有。

But in the fullness of time, for sure.

Speaker 1

因为我们希望为消费者创造一些全新的、极具吸引力且高度互动的音乐体验。

And it's because we wanna make these new experiences for consumers around music that are really engaging, that are really interactive.

Speaker 1

如果有人拥有在平台外创作的音乐,并希望为他们的听众提供同样的互动功能,那么他们必须将音乐上传到Suno,才能为粉丝提供相同的体验。

And somebody who wants who has music that was made off platform, who wants to give the same interactive powers to the people who consume their music, is gonna have to upload it to Suno if they wanna have the the the same experience for their fans.

Speaker 1

我们专注于打造直到今天都无法实现的东西。

We're really focused on building things that couldn't exist up until today.

Speaker 0

一些公司已经开始形成他们对AI音乐的处理态度。

A couple companies have started to form their opinions about how they will treat AI music.

Speaker 0

特别是Bandcamp,刚刚决定禁止完全由AI生成以及实质性由AI生成的音乐,但他们并没有明确定义什么是‘实质性’。

Bandcamp, in particular, just decided to ban fully AI generated, and it's, like, substantially AI generated music, which they did not define.

Speaker 0

我问过他们,但他们没给我一个明确的答案。

I asked them to, but they didn't have a clear answer for me.

Speaker 0

此外,iHeartRadio推出了他们的全新纯人工音乐节目,意味着在全国各地的电台中,他们不会播放任何AI生成的音乐。

Additionally, iHeartRadio has their new guaranteed human program, which means on their stations across the country, they will not be programming any AI generated music.

Speaker 0

我想知道你对这些立场怎么看。

I'm wondering what you think of those stances.

Speaker 0

看起来目前AI音乐正遭受大量抵制,正被边缘化。

It seems like AI music right now is receiving quite a lot of backlash, and it's being pushed off to the side.

Speaker 0

你对这个决定有什么看法?

How do you feel about that decision?

Speaker 1

就像你所说的,制定政策的人很多,但最终都没能清晰界定界限在哪里。

There's a lot of making policies, like you said, that end up not exactly defining where the line is.

Speaker 1

也许我这个位置上的一些人会对此表示反感。

And, you know, probably some people in my position would hate on that.

Speaker 1

但我认为这实际上是正确的做法。

I think that's actually the right thing.

Speaker 1

就像我们不知道界限在哪里,所以我们制定一些模糊的政策,边走边摸索,我觉得这样没问题。

Like, we don't know where the line is, and so we're gonna have some ambiguous policy that lets us figure it out as we go, and I think that's fine.

Speaker 1

其中一些显然是为了宣传,这也没问题。

Some of it is clearly for publicity reasons, and that's also fine.

Speaker 1

我认为归根结底,每个人都在试图弄清楚,对于这些平台来说,用户真正想要的是什么?

I think at the end of the day, everybody is trying to figure out what is the right mix of like, what do our users want in the case of all of those platforms?

Speaker 1

是那些付钱的人,还是那些收听的人——如果广告商在付钱的话。

It's the people who pay them money, or the people who are listening if the advertisers pay them money.

Speaker 1

还有创作者和艺术家们想要什么。

And what creatives and artists want.

Speaker 1

这是一个复杂混乱的问题,我们需要一起找到解决办法。

And this is a big messy problem, and we're all gonna have to figure it out together.

Speaker 1

而这就是,嗯,没问题的。

And that's that's, like, fine.

Speaker 0

我刚刚浏览了Suno的Reddit子版块。

I was looking through the Suno Reddit, subreddit.

Speaker 0

哦。

Oh.

Speaker 0

挺有趣的。

It was fun.

Speaker 0

我以前从来没去过那里,但有人建议我去看看。

I I'd never been there before, but someone told me to check it out.

Speaker 0

所以我只是看看用户们在上面说什么,以及大家对什么感兴趣。

So I was just, like, seeing what users say and what people are interested in on there.

Speaker 0

而且我相信那里有一个帖子说你们有一个名为 Sounds 的新产品正在内测。

And I I believe there there was a post that you guys have a new product in beta called Sounds.

Speaker 0

对吗?

Is that correct?

Speaker 0

是的。

Yeah?

Speaker 0

对。

Yeah.

Speaker 0

本质上就是循环和样本吗?

It's like loops and samples, essentially?

Speaker 1

差不多吧。

Sort of.

Speaker 1

好的。

Okay.

Speaker 1

好的。

Okay.

Speaker 1

是的。

Yeah.

Speaker 1

‘更多循环和样本’这个说法有特定的含义,所以并不完全准确。

More loops and samples has a very particular connotation, so not exactly that.

Speaker 1

它更像音效。

It's almost more like sound effects.

Speaker 1

哦,明白了。

And Oh, okay.

Speaker 1

因为你可以把这些小元素添加到你的音乐中,并且能够对它们进行提示。

Because the ability to add these little things into your music and be able to prompt for them.

Speaker 1

比如,举个随机的例子,我们当时在和一位艺术家合作,使用Suno Studio,想加点小细节来吸引听众。

So, like, as as a random example, you know, we were, like, working with an artist, and we were using Suno Studio, and we wanted to add, like, a little ear candy to attract.

Speaker 1

于是我们问:该加点什么呢?

And we're like, what should it be?

Speaker 1

他回答:我不知道。

And he was like, I don't know.

Speaker 1

猫头鹰叫。

Owls hooting.

Speaker 1

我当时想:我们怎么可能知道怎么做出猫头鹰叫的声音呢?

And I was like, there's no way we know how to do owls hooting.

Speaker 1

他却说:你必须想办法做出猫头鹰叫的声音,因为我就想要这个。

And he's like, well, you have to figure out how to do owls hooting because that's what I want to.

Speaker 1

就是这种类型的东西。

It's like stuff like that.

Speaker 0

有意思。

Interesting.

Speaker 0

好的。

Okay.

Speaker 0

因为我的问题最终其实是想问,你是否把自己视为类似Splice或BeatStars那样的竞品?

Because I my my question eventually was going to be, if you see yourself as, like, a competitor to, a Splice type product or a BeatStars or something like that.

Speaker 1

不完全是。

Not exactly.

Speaker 1

好的。

Okay.

Speaker 1

我们的目标是打造一个更连贯的产品,让所有功能都能很好地协同工作,因为这才是让人感到愉悦的地方。

You know, the the intention is to to have a more coherent product, you know, where everything fits together nicely, because that's what delights people.

Speaker 0

是的。

Yeah.

Speaker 0

而且我认为,长期以来,部分原因是由于Major对Suno和Yudio提起的诉讼,这两家公司经常被放在一起提及。

And I think for a long time, I think in part because of the Major's lawsuit against Suno and Yudio, those two companies were often put in the same sentence.

Speaker 0

Yudio现在正将其服务转型为一个与Suno目标完全不同的平台。

Yudio is now pivoting its service to be a very different type of platform than what Suno is going for.

Speaker 0

我现在想知道,你认为谁是Suno的竞争对手?

I'm wondering now, who do you feel is a competitor for Suno?

Speaker 1

你知道吗,这挺有趣的。

You know, it's funny.

Speaker 1

这是一个投资者经常问我们的问题。

That's a really that's a really common question that investors will ask us.

Speaker 0

你知道的?

You know?

Speaker 0

有意思。

Interesting.

Speaker 1

也许你实际上也许

Maybe you actually Maybe

Speaker 0

我私下里应该做个投资者。

I secretly should be an investor.

Speaker 1

你暗地里住在硅谷。

You secretly live in Silicon Valley.

Speaker 0

我们这就结束吧。

We'll wrap this up.

Speaker 0

是的。

Yeah.

Speaker 0

我现在要去硅谷了。

I'm gonna go to Silicon Valley now.

Speaker 1

我更多是从我们想要实现的未来愿景来思考这个问题。

I think about it much more from, like, we have a vision of the future that we are trying to do.

Speaker 1

我不确定其他公司是否也有这样的愿景。

I don't know exactly what other companies have that vision.

Speaker 1

就是这个愿景?

Exactly that vision?

Speaker 1

没有。

No one.

Speaker 1

我们就继续不断建设,不断推进。

And we're just gonna keep go building going and and building that.

Speaker 1

你知道的,确实是这样。

And, you know, it's yes.

Speaker 1

有一些庞大而令人畏惧的公司,拥有大量资金和广泛的分销渠道,本可以做我们做的事,但它们没有。

There are big scary companies with lots of dollars and lots of distribution that could do what we do, but they don't.

Speaker 1

这是因为它们我认为没有我们这样对音乐未来应有面貌的相同愿景。

And it's because they don't have, I think, the same view of what the future could and should be around music.

Speaker 1

坦白说,你之前提到的那一点——必须说服投资者音乐是一个巨大的领域,而且可以比今天大得多——这也是许多大型科技公司都有的感受。

And honestly, the thing that you said earlier of, like, having to convince investors that music is a big thing and can be much bigger than it is today, is, a feeling that lots of big tech companies have also.

Speaker 1

所以这就是我们的优势,我们会继续去做我们想做的事。

And so that's our advantage, and we're just gonna go and build what we wanna do.

Speaker 0

是的。

Yeah.

Speaker 0

我真的很高兴你提到这一点,因为我经常对别人这么说。

I actually am really glad that you brought that up because I tell this to people all the time.

Speaker 0

有趣的是,在人工智能的音乐领域,主导者都是初创公司。

It's like, it is really interesting that in the music category of AI, it's dominated by startups.

Speaker 0

并不是由OpenAI主导的。

It's not dominated by OpenAI.

Speaker 0

在其他几乎所有领域,我们谈论的前沿公司都是谷歌或OpenAI。

Like, in pretty much every other facet, it's like Google or OpenAI that we're talking about as the front runners here.

Speaker 0

但在音乐领域,我们看到的都是初创公司,我一直认为,很多人觉得音乐不值得投入,觉得它太复杂,诸如此类。

But in music, we're seeing startups, and my my theory has always just been that a lot of people don't think music is worth it, they think it's too complicated and, you know, all that stuff.

Speaker 0

我很好奇。

I I'm curious.

Speaker 0

你们会把Suno卖给这些AI巨头之一吗?比如OpenAI或谷歌?

Would you guys ever sell Suno to a a you know, one of these AI giants, OpenAI or Google?

Speaker 1

我对这一点有不一样的看法。

I I actually have a different explanation for it.

Speaker 1

好的。

Okay.

Speaker 1

这是因为巨头拥有几项巨大的优势。

Which is the giants have a few extreme advantages.

Speaker 1

其中一点就是资金和GPU资源。

Dollars in GPUs is one of them.

Speaker 1

对吧?

Right?

Speaker 1

而在追求通用人工智能的竞赛中,这确实是一个巨大的优势。

And in the game of we are trying to make general intelligence, it turns out that is an extreme advantage.

Speaker 1

这就像是不断向这个问题投入更多的算力和资金。

It is like throw more compute and more dollars at this problem.

Speaker 1

当然,这背后还需要大量极其困难的研究工作。

Obviously, there's a tremendous amount of very difficult research that goes with it.

Speaker 1

但如果你没有这些资源,就无法在这个领域竞争。

But you can't compete in that domain if you don't have that.

Speaker 1

而且你还得不断让模型变得更大。

And you keep making the models bigger.

Speaker 1

你不断让它们变得更加复杂。

You keep making them more complicated.

Speaker 1

那不是音乐。

That's not music.

Speaker 1

音乐不是像智能那样有对错答案的问题。

Music is not a problem to solve that, like intelligence, has right and wrong answers.

Speaker 1

音乐是艺术。

Music is art.

Speaker 1

它要混乱得多。

It is far messier.

Speaker 1

我不是说商业领域。

And I don't mean the business.

Speaker 1

我是说,音乐本身就要混乱得多。

I mean, like, music itself is far messier.

Speaker 1

这就是为什么初创公司能在这一领域与之竞争。

That is why startups can compete there.

Speaker 1

有意思。

Like Interesting.

Speaker 1

我们在电脑上的支出上,每周七天都会被谷歌远远甩开,但这完全没问题。

We we will be outscaled by Google seven days of the week on on spending money on on computers and that's just fine.

Speaker 1

这并不会让音乐变得更好。

Like, that's not what's going to make music better.

Speaker 0

是的。

Yeah.

Speaker 0

但你有没有兴趣把公司卖给更大的企业?

But would you ever be interested in selling to a bigger company?

Speaker 1

大概不会。

Probably not.

Speaker 1

你知道,我觉得这又是很常见的投资者问题。

You know, I think like, again, very common investor questions.

Speaker 1

你真的在做这个,这太有趣了。

So you're really you're really doing That's this so funny.

Speaker 1

我是这么想的。

I I think about it like this.

Speaker 1

比如,我们想要构建一个未来。

Like, there's a future we wanna build.

Speaker 1

有没有一家公司能真正加速我们实现这一目标的能力?

Is there a company that we think would meaningfully accelerate our ability to go do that?

Speaker 1

如果有,我们才可以讨论这个问题。

Then we could have that discussion.

Speaker 1

但在那家公司真正出现之前,我真的看不到任何兴趣。

But until that company, you know, materializes, I don't really see any interest.

Speaker 0

另外一件事让我觉得Suno特别有趣,就是你的用户群体。

And another thing that I find really interesting about Suno is your user base.

Speaker 0

直到我看到你的投资人Pyshak,我才意识到这一点。

Like, I didn't realize until I saw your investor Pyshak.

Speaker 0

我发现Suno的主要用户群是25到34岁的男性。

I noticed that Suno's primary user base are twenty five to thirty four year old men.

Speaker 0

通常当我想到新兴技术或颠覆性技术时,我会觉得最积极采用这些技术的往往是年轻人群。

And usually when I think of emerging technology, disruptive technology, I think that it's usually going to be a really young demographic that's adopting it in the highest numbers.

Speaker 0

我很好奇,你对你的用户群体有什么看法?

I'm I'm curious, like, what you make of your user demographics.

Speaker 0

你觉得用户主要是25到34岁的男性,这让你感到意外吗?

Is that surprising to you that it's twenty five to thirty four year old men?

Speaker 1

并不特别意外。

Not super surprising.

Speaker 1

你知道,男性比例也没高到离谱。

You know, it doesn't skew that male.

Speaker 1

如果你回看融资演示文稿,第二大用户群体是18到25岁的人。

And the second biggest demo, if you go back to the pitch deck, is 18 to 25.

Speaker 1

这并不是说音乐领域只有13岁的孩子在用,但这些用户也不是婴儿潮一代。

So it's not like it's not this isn't musically where it's, you know, 13 year olds, but these aren't boomers.

Speaker 1

我认为这源于年轻人对人工智能普遍存在一种普遍的顾虑,而不仅仅是在音乐领域。

I attribute this to there is, I think, general apprehension around AI everywhere, not just in music, from younger people.

Speaker 1

嗯。

Mhmm.

Speaker 1

我不太清楚这究竟是从哪里来的。

And I don't know exactly where this comes from.

Speaker 1

是因为人们觉得AI会把我们都变成回形针之类的东西吗?

Is it like AI is gonna turn us all into paper clips or or something like that?

Speaker 1

但我觉得这大概能解释为什么13到18岁的年轻人对Suno不太感兴趣。

But I think that is, like, my large explanation for why, let's say, the 13 to 18 year olds aren't super into Suno.

Speaker 1

再说一遍,我觉得直接和人们交谈,是理解这一点最好的方式。

Again, I think just talking to people, I have found, is, like, the best way to to explain it.

Speaker 1

因为经常有搞音乐的人问我,他们知道我做音乐,问题总是像这样:是的,AI会毁灭世界吗?

And it's like because I get so many questions from people who in music, who know that I do music, you know, and the questions are always like, yeah, like, is AI gonna end the world?

Speaker 1

我本人并不认为它会,但Suno当然不会把每个人都变成回形针。

And, you know, I happen not to think it's going to, but, like, certainly, Suno is not gonna turn everybody into paper clips.

Speaker 1

我们所处的领域根本不是那种情况。

Like, that's not the domain that we play in.

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