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纳什维尔漫步
Takin' A Walk Nashville.
嗨,大家好。
Hey, y'all.
我是萨拉·哈勒森,欢迎收听《纳什维尔漫步》播客。
It's Sarah Harralson, your host of the Takin' A Walk Nashville podcast.
感谢今年一直收听节目的每一位听众。
Thank you everyone who has been tuning in this year.
如果你想在社交媒体上关注我们,可以在 Instagram、TikTok 和 Facebook 上搜索 Sarah Harralson 找到我。
If you want to follow us on socials, you can find me at Sarah Harralson on Instagram, TikTok, Facebook.
现在我们也在 Instagram 上开通了《纳什维尔漫步》的账号,搜索 Takin' A Walk Nashville 就能找到;另外,所有 Buzz Night Media 制作的播客都可以在 Takin' A Walk Podcast 这个账号关注。
And now we have an Instagram for Takin' A Walk Nashville at Takin' A Walk Nashville, if you wanna follow us there, and then at Takin' A Walk Podcast on Instagram for all Buzz Night Media Productions podcast.
希望你们能在社交媒体上继续关注我们。
So I hope you will follow along on socials.
今天,我和斯凯普·伊文一起回到了东纳什维尔的拉塞尔酒店录音室,斯凯普是个天生的故事讲述者。
And today with me here in East Nashville back at the Russell podcast studio in the Russell hotel, I have with me Skip Ewing, a natural born storyteller.
他擅长创作生动感人的歌曲,真挚地描绘人性,九十年代初凭借六首进入排行榜前二十的热门单曲一举成名,其中包括乡村音乐经典《心被灼烧》和《又是你》。
His gift for vivid song craft and true to life human connection made him a chart topping star at the turn of the nineteen nineties with six top 20 hits, including the top five country classics, burn in a hole in my heart, and it's you again.
Ewing一直备受期待的新专辑《蜻蜓》如今面世,这位资深音乐人将自己丰富的人生经历融入新歌,比如正在乡村电台热榜攀升的《我想要全部》和《说好》。
Ewing's eagerly await a new album, Dragonfly, now sees the veteran artist bringing his extraordinary life experiences to bear on such essential new songs like I want it all, which is climbing the country radio charts, and say yes.
今天,请和我一起聆听我与Skip Ewing的对话。
Please join me today for my conversation with Skip Ewing.
这是iHeart播客。
This is an iHeart podcast.
百分百真人制作。
Guaranteed human.
另一档由《周六夜现场》深夜喜剧人打造的播客,不是《让我笑》那档由罗伯特·西格尔和朋友们主持的节目。
Another podcast from some SNL late night comedy guy, not quite on humor me with Robert Smigel and friends.
我和从鲍勃·奥登科克到大卫·莱特曼这样风趣的嘉宾一起,帮你变得更幽默。
Me and hilarious guests from Bob Odenkirk to David Letterman help make you funnier.
这期嘉宾是《周六夜现场》的米基·戴和首席编剧斯特里特·赛德尔,他们帮一支无伴奏合唱团打磨演出时的串场对话。
This week, my guest, SNL's Mikey Day and head writer Streeter Seidel, help an acapella band with their between songs banter.
你们平时都在哪儿演出?
Where does your group perform?
我们会在一些养老院表演。
We do some retirement homes.
那些老人特别渴望有人陪他们聊天。
Those people are starving for banter.
欢迎在 iHeartRadio 应用、Apple 播客,或者你常用的播客平台收听《Humor Me with Robert Smigel and Friends》。
Listen to humor me with Robert Smigel and friends on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.
昨晚一个误判彻底改变了比赛走势。
Last night, a blown call changed the game.
今天早上,网上炸开了锅,可没人说清楚到底发生了什么。
This morning, the Internet lost its mind, and nobody's telling you exactly what happened.
这时候就轮到《Sports Slice》出场了。
That's where Sports Slice comes in.
我是 Timbo,每期节目我们都会拨开迷雾,深入解析体育界最热门的事件,告诉你新闻背后的真实故事。
I'm Timbo, and every episode, we're cutting through the noise, breaking down the biggest moments in sports and giving you the real story behind the headlines.
我们会直接采访当事人——运动员本人,听听他们在更衣室里的故事,他们在现场的真实反应,那些外人根本听不到的内幕。
And we're going straight to the source, the athletes themselves, their locker room stories, their reactions in the moment, and the stuff nobody gets to hear.
在 iHeartRadio 应用、Apple 播客,或者你常用的任何播客平台收听《Sports Slice》。
Listen to sports slice on the iHeartRadio app, Apple podcast, or wherever you get your podcast.
想看更多内容,请在 TikTok 关注 Timbo Slice Life 12 和 TikTok 播客网络。
And for more, follow Timbo Slice Life 12 and the TikTok Podcast Network on TikTok.
人生处处是障碍。
Life is full of hurdles.
那你怎么能坚持走下去呢?
So how do you keep going?
在《与艾米莉·阿巴迪共越障碍》这档节目里,我们会对话体育和健康领域最鼓舞人心的女性——职业运动员、教练、奥运冠军,聊聊那些塑造她们的挑战,以及让她们不断前行的心态。
On hurdle with Emily Abadi, we're talking with the most inspiring women in sports and wellness from professional athletes, coaches, and Olympic champions about the challenges that shape them and the mindset that keeps them moving forward.
在我们这个层级、这种规模下,能在全世界面前失败,其实也是一种能力。
At our level, at this scale, being able to fail in front of the entire world.
我什么都能做到。
Like, I can do anything.
我真的什么都能做到。
I can, like, I can do anything.
在 iHeartRadio 应用、Apple 播客或你常用的播客平台收听《与艾米莉·阿巴迪一起跨越障碍》。
Listen to hurdle with Emily Abadi on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.
本节目由Capital One赞助,iHeart女子体育的创始合作伙伴。
Presented by Capital One, founding partner of iHeart women's sports.
嗨。
Hey.
大家最近怎么样?
What's good, y'all?
你正在收听《以痛为师》,你的专属心理咨询师兼主持人凯尔·盖姆斯带你深入探讨。
You're listening to learn the hard way with your favorite therapist and host care games.
这个空间聚焦黑人男性的真实经历,聊那些在别处根本不敢开口的真心话,而今天陪你聊的是一位专业靠谱的心理咨询师。
This space is about black men's experiences, having honest conversations that it's really not safe to have anywhere, but you're having them with a licensed professional who knows what he's doing.
有多少男人一辈子都穿着盔甲?
How many men carry a suit of armor?
这会让别人觉得你可以随便被欺负。
It signals to the world that you're to be played with.
你有能力做某事,并不意味着你就非得去做。
And just because you have the capability, that does not mean that you need to.
收听《艰难中学》节目,就在 iHeartRadio 应用、Apple 播客,或者你常用的播客平台。
Listen to learn the hard way on the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.
欢迎收听《纳什维尔漫步》,我是主持人哈里森。
Welcome to Takin' A Walk Nashville with your host, singer songwriter, Harralson.
大家好。
Hey, everyone.
我是莎拉·哈里森,也是《纳什维尔漫步》的主持人。
It's Sarah Harralson, your host of Takin' A Walk Nashville.
今天和我在一起的,正如我之前提到的,是斯科普·伊文。
And today here with me, as I mentioned, is Skip Ewing.
斯科普,非常感谢你今天做客《纳什维尔漫步》。
Skip, thank you so much for being on Takin' A Walk Nashville today.
你最近怎么样?
How are you?
当然。
Absolutely.
很荣幸。
My pleasure.
我很好。
And I'm well.
谢谢。
Thank you.
很高兴认识你。
It's nice to meet you.
我也很高兴认识你。
Nice to meet you too.
你今年已经发布了几首歌,包括和梅·伊斯特斯合唱的《在破碎处更坚强》。
So you have released a few songs already this year, including Stronger Where You're Broken featuring May Estes.
能说说这次合作是怎么促成的吗?
Tell me about how this collaboration came about.
我很喜欢这首歌背后的理念。
I love the concept behind the song.
其实这个想法是这么来的,首先我特别喜欢梅·伊斯特斯。
Well, the concept just came because one, I love May Estes.
对。
Yeah.
其次,当我们开始录这张专辑时,我隐约觉得可能会找几位嘉宾合作,但我是让歌曲本身来告诉我哪些人最合适。
And two, as we went into record this record, I had a feeling there might be some features, but I sort of let the tracks tell me what might work.
我认识梅的时候,她还没签唱片公司。
I met May, this is before she had her record deal.
她和我朋友乔什·马特尼一起翻唱了我写的一首兰迪·特拉维斯的歌。
She and a friend of mine, Josh Matheny, covered a Randy Travis song that I wrote.
我觉得她唱得特别棒,就发到了我的社交平台上。
And I shared it on my socials because I just thought she did a great job of it.
所以我们早就认识了,后来有一次我去纳什维尔,正好碰上她,人特别亲切,才华也特别出众。
That's how we sort of knew each other and then ended up seeing her when I was in Nashville one time, just meeting her and she was delightful, and she's incredibly talented.
所以当这首歌提上日程时,我从一开始就觉得,如果有位女歌手来合唱,效果会更好。
So when it came up for that particular song, had from the outset thought that it would benefit from a feature with a female artist.
于是我第一个就联系了她。
So I just called her first.
我对她说,如果非得选一个人,那一定是你。
I said, If I have a choice, it's you.
她听后特别客气。
She was very kind about it.
她就说,好啊。
She's like, Okay.
于是我们安排了录音室,当天就录了歌,还在同一个录音棚里拍了MV。
So yeah, so we went and we booked a studio and went in and just cut it that day and shot a music video in the same studio we were recording in.
事情就是这么定下来的。
That's the way that came down.
是的,我看过那个音乐视频。
Yeah, I saw the music video.
那是在纳什维尔的一家录音棚拍的吗?
Was that at a recording studio in Nashville?
是在Blackbird录音棚。
That was at Blackbird.
明白了。
Okay.
Blackbird Studios至少有A、B、C、D、E、F和G七个录音室。
Blackbird Studios has, I don't know, A, B, C, D, E, F and G studios at least.
我们就是在那儿录了整张专辑。
And we cut the album.
事实上,我们录了即将发行的《Dragonfly》专辑的前半部分。
In fact, we cut the first half of the Dragonfly album that's coming.
《Stronger, Where You're Broken》会收录在《Dragonfly》专辑里。
Stronger, Where You're Broken is gonna be from the Dragonfly album.
我们刚把这部分录完了。
We cut the we just finished.
我之所以现在在纳什维尔跟你在一起,就是因为刚录完这张专辑的后半部分。
That's why I'm here in Nashville with you is we just cut the second half of the record.
这两段都是在D录音室录的,后来觉得干脆就在那边的小录音室把剩下的也一起录了。
We cut both of those in the in Studio D and it just seemed natural to go ahead and cut the rest in one of the smaller studio there.
真棒。
Nice.
对。
Yeah.
这首歌太美了。
It's such a beautiful song.
你们已经从新专辑《Dragonfly》里发布了几首单曲。
You've already released a few singles from the new record drag Dragonfly.
今年你们还会推出更多音乐,包括4月24日发布的单曲《Me and God and a Fishing Pole》。
You have more music coming out this year, including April 24, a single, Me and God and a Fishing Pole.
这首歌也很美。
This is also a beautiful song.
这首歌的灵感来自哪里?
What's the inspiration behind this one?
说实话,这首歌的灵感就是它本身表达的内容。
Truly, the inspiration behind that one was exactly what the song is about.
不过我得说,我可不是真拿着鱼竿坐在外面,才想到这个点子的。
Although I have to say I wasn't wasn't sitting out with a fishing pole and thought about the idea.
对我来说,这首歌讲的是人与真实世界的连接——那种不被水泥包围、只要有机会就愿意置身自然的联结,我相信很多人都有这种感受。
What that song really is about to me is the kind of connection that we make, or at least that I make, and I think a lot of other people make, to just being out in what is real, not being in the concrete, if we don't have to be.
我觉得,如果你经常待在户外,那就会懂。我们住在西北怀俄明。
And I think that if you spend time outside, we live in Northwestern Wyoming.
所以我常开玩笑,也不算完全开玩笑地说,把大提顿国家公园和黄石公园全倒进一个桶里,再泼到我后院,那就是我家了。
So I jokingly, not so jokingly say, just take the Grand Teton National Park and Yellowstone, put them in a bucket and dump that in my backyard.
我就住在这儿。
That's where I live.
其实也不完全对,但我住的地方,周围根本没人。
It's not really true, but where I am, there's nobody there.
只有我老婆、我、我们的狗和马,偶尔还有这片历史悠久的牧场的主人,我们很幸运能住在那儿。
It's my wife and I and our dogs and our horses and sometimes the people who own this historic ranch that we're blessed live on.
所以我出去徒步、骑马、钓鱼,或者只是在湖边待着的时候,那段时光让我静下心来,跟自己对话,也让我感受到一种与更深层东西的联结。
So the time that I spend when I'm out hiking, when I'm out on a horse, or when fishing, when I'm just out on the lake, that time is reflective, puts me in touch with myself, but there's a communion about that.
不管你如何理解那些比你更宏大的存在。
However you think about what is bigger than you.
我们大多数人,其实都认同,这世上确实有比我们更宏大的东西。
And most of us, most of us agree that there's something bigger than us.
不管你有没有信仰,或者只是单纯觉得,这世界有某种比我们更伟大的力量。
Whether you have a, whether there's a faith that you, that you have or whether you just know there's something bigger than you.
我只要抬头看星星,就不可能不感觉到,自己在宇宙面前有多渺小。
I can't look at the stars and not know there's something bigger than me.
每次出门,我都想跟这种感觉建立联系,它总让我变得谦卑。
When I go out, I like to make that connection and it always humbles me.
每当这时,我都会特别感恩自己拥有的一切,感恩身边的人,也会让我重新找回这种感觉。
And when that happens, I tend to feel really grateful for the life I have, for the relationships that I have, and it'll put you back in touch with it.
而且有时候,这还能带来一些疗愈。
And then also there's sometimes a bit of healing.
从原谅自己,到单纯因为能在这片天地里自由呼吸而感到喜悦——哪怕这份自由只是属于你的那份宁静。
It can be everything from forgiving yourself to just being joyous that you're taking breaths in that kind of a space that you have that as an option, even if that's just your freedom.
我特别喜欢这一点。
I love that.
谢谢。
Thanks.
所以,这一切都始于第一句话:‘老头儿,你在听吗?’
And so that, it starts off with the very first words are, Hey old man, are you listening?
老头儿,我也不确定。
Old man, I don't know.
我也不确定。
I don't know.
但我得告诉你一件事,我从来没跟别人说过。
But I'll tell you something I haven't told anybody.
如果你看过电影《冷手卢克》,那部片子挺老的,我小时候看过。
If you've ever seen the movie Cool Hand Luke, and Cool Hand is a very old movie and I watched it when I was little.
保罗·纽曼演的,突然下起雨来,他们喊他上车。
Paul Newman, it starts raining and they tell him to get in the truck.
他是个囚犯。
He's a prisoner.
快上车,都上车!
He's get in the trucks, get in the trucks.
可他却说:我不怕。
And he's like, I'm not afraid.
他就站在雨里不动。
And he stands out in the rain.
他 basically 就是说:嘿,老头儿。
And he basically says that, hey, old man.
你在吗?
Are you there?
你真的在吗?
Are you really there?
给我点反应吧。
Show me anything.
随便给我个信号就行。
Just give me a sign.
给我点什么吧。
Give me.
可是什么都没发生。
And nothing happens.
他只好回到车里,一副根本不信有神的样子,毕竟天上也没打雷劈他。
He gets back in the truck and acts like there wasn't a God, basically, because he didn't have a lightning strike.
对吧?
Right?
这一直让我想,你是不是在等上帝来取你性命?
That always struck me like, were you waiting for God to kill you?
那时候已经在下雨了。
It was already raining.
天正在下雨。
It was raining.
光是这一点,就已经是一种联系了。
And that in itself is a connection.
所以这些因素,我都试着去琢磨,从自己的经历里找线索,来调整自己的思维方式。
So all those elements, I just try to look into those and gather what I can from my own life to better the way I posture my thinking.
不是心态,而是我思考时的姿态。
Not my mindset, but basically my mind posture.
有什么地方是我需要调整的吗?
Is there something I need to adjust?
有什么能让我变得更包容的吗?
Is there something that will make that will encourage me to be more understanding?
有没有一个地方,我能去那里,好好地和自己待着,感觉舒服一点?
Is there a place where I can just go and feel better about being with myself?
对有些人来说,这真的很难。
And that is hard for some people.
我那些想法就是从这儿来的。
That's where that came from.
我跟上帝、还有那根钓鱼竿的关联,也是从这儿来的。
That's where me and God and the fishing pole came from.
里面还提到,有些星期天的早晨就是这样过的。
In it, it also says, this is how some Sunday mornings go.
还是说,这是我自己的星期天早晨?
Or how my Sunday mornings go?
有些人可能会说,都星期天早上了。
Some people will go, Well, it's Sunday morning.
你难道不该去教堂吗?
Shouldn't you be at church?
我说,这得看你去不去教堂。
And I say, depends on if you go to church.
不是每个人都会去教堂。
Not everyone goes to church.
不是每个相信有比自己更宏大存在的人,都有机会去教堂,甚至不一定想去。
Not everyone who believes in something being bigger than them goes to church or even has that option.
我并不了解每个人的信仰。
And so I know what everyone's beliefs.
我只了解自己的。
I only know mine.
我散步时跟人聊天,一唱起这首歌,惊讶地发现有这么多人说:对,就是这样,完全就是那样。
But as I'm on my walk and talking with people, when I sing that song, it's amazing how many people go, That's exactly how it, that's exactly how it.
这正是我做这些事时所期待的。
And that's what I hope for when I'm doing what I'm doing.
我做这些,是为了真正地触达人心。
I do it to reach, to genuinely reach people.
我说,关键是人心,而不是数据图表。
I say it's about hearts and not charts.
我不知道《我、上帝和钓鱼竿》这首歌会不会上主流电台,能不能被放出来。
I don't know if Me and God and the Fishing Pole is going to be on mainstream radio or allowed to be there.
我不确定它会不会成为冠军单曲,但我相信它能真正触碰到很多人。
I don't know if it's going to be a number one song, but I believe we're going to reach people with it.
而通过这样做,我这次开启的音乐事业,是以前从未有过的机遇。
And by doing that, it's a chance for this artist career that I'm taking on that I really haven't had like this before.
这是一个机会,让这首歌被接纳、被传播,最终让数以百万计的人听到它。
It's a chance for that to be embraced and grow up to where we can share that song with many millions of people.
是的。
Yeah.
这太美了。
That's beautiful.
从这个角度来说,你只是在讲述自己的故事——比如在小溪边钓鱼,或者置身自然,这对你而言就是自己的教堂。
And you're just telling your own story in that sense that, you know, fishing by a creek or being in nature, that's your own version of church.
对很多人来说,这其实就是他们心中的教堂,尤其是在怀俄明州。
And that's a lot of people's own version of church, especially up in Wyoming.
怀俄明州是你写《龙蜻蜓》这张新专辑大部分歌曲的地方吗?
Was Wyoming the place where you wrote most of these songs on the upcoming Dragonfly album?
对我来说,很多人一想到纳什维尔和写歌,就觉得是很多人聚在一起,好像约定好了一样,坐进写作室,当天就合作写出一首歌。这种说法传得太广了。
Well, for me, some people I think when they when they think about Nashville and songwriting, they think about many, many people because it's been it's just been spun that way, go into a writing appointment, and they write together that day and they come up with a song and they write it.
在纳什维尔,确实有人在写作室、在别人客厅里写歌,有时候甚至会跑到佛罗里达,一群人聚在一起创作。
And that happens in Nashville in a writing room or in someone's living room, or sometimes people go down to Florida and they'll all gather.
但我的方式完全不是这样。
And for me, it's not quite that.
让我稍微回溯一下,你可能知道,2000年代中期,我在艺术上特别不满足。
And I'll just back up for just a sec, because you may know that in the mid 2000s, I was a bit artistically unfulfilled.
如果坦诚地说,我始终没能成为我想成为的那个人。
If I'm just heart open, I wasn't really ever able to be the artist I wanted to be.
那时候,根本没人允许我那样做。
I wasn't really allowed to do that.
当时我写的那种歌,让我自己很满意,但靠它们养活自己实在太难了。
And it was difficult for me to continue making a living as a songwriter with the kind of songs that I write and that I felt good about writing.
我把在纳什维尔的所有东西都卖了,然后上路去学骑马。
I sold everything in Nashville and I went on the road to study horsemanship.
我就专心做这一件事。
That's all I did.
我几乎不怎么弹吉他,也不唱歌了。
I didn't really play guitar that much and sing and play.
有些人知道我干了这事儿。
Some people knew that I did that.
但很多我身边的人,根本不知道我除了跟马打交道之外还做别的。
A lot of people I was around had no idea that I did anything except work with horses.
对我来说,这是一段精神上的追寻。
And that was a spiritual pursuit for me.
所以等我们到了怀俄明,那是因为骑马这件事带我去了那里。
So by the time we got to Wyoming, which is why I was doing all those horse, the horsework brought me to Wyoming.
我开始随便试试。
I started messing around.
我到底想说些什么?
Just what do I have to say?
如果我不给自己设限,我能写一首关于岩画的歌吗?
And if I don't have any confines, I sing a song about a petroglyph?
我能让一只狗唱首歌吗?
Can I have a dog sing a song?
这听起来有点怪,但这些话真的是我必须表达的吗?
Can I, and it sounds odd, but these were things I really needed to say?
我能让人用18世纪的说话方式表达,即使现在没人这么说了,因为这才是对的吗?
Can I have someone in the 18 hundreds speak in a way that we don't even speak now because it's the right thing to do?
是的。
Yeah.
我玩了这些想法,但所有这些歌都是我自己写的。
And I played with that, but I wrote all that by myself.
我做这些的时候,总在想,为什么这些东西会打动我?
And as I was doing that, I kept looking into why does that move me?
所以现在我会冒出一些想法。
And so I will come up with things now.
可能是一段小旋律,一个点子,一句歌词,或者一个歌名,但这不意味着我立刻就写下来。
Could be a little piece of music, could be an idea, could be a line that's going be in a song, could be a title, but that doesn't mean I write it right then.
有时候我只是先让这些念头转一转,问问自己:我是不是已经真正理解了,足够把这颗种子培育成一首完整的歌?
It might mean that I kick that around for a while and just basically say, do I understand everything I need to understand to be able to write that seed and grow it up into, if you want to call it a tree of a song, right?
我也不太确定。
Oh, I don't know.
有时候我在怀俄明州开始一个想法,路上住进休斯顿的酒店,突然有了灵感,就在酒店里接着琢磨,直到该上台演出为止。
So sometimes I'll start something in Wyoming, be on the road, be in a hotel in Houston, get an idea and work on that in the hotel in Houston until we have to do a show.
下次到纳什维尔,我会再翻出来,说:得好好弄弄这个了。
The next time I'm in Nashville, I'll pull it back out and go, I got to work on that.
我说不准,毕竟我一个人写歌,这条路本来就与众不同。
I don't know because I'm writing by myself and it's a different journey.
所以我说,很多东西其实是在怀俄明的时候冒出来的。
So I would say a lot of it came from me when I was in Wyoming.
说实话,就是因为我人在怀俄明,你知道的。
Honestly, was just because I was in Wyoming, you know?
但我记得,有次我和上帝在纳什维尔第十二大道的一家民宿里。
But me and God, I remember I was at an Airbnb on 12th Avenue in Nashville.
我当时正随便拨弄着吉他,你知道的。
And I just had been messing around with a guitar thing, you know?
我想到一个点子:能不能把这种联结表达得不那么宗教化,不局限于某种特定的信仰,而是让每个人——不管他们怎么理解上帝、宇宙,或者自己是谁——都能产生共鸣。
And I had this idea, is there any way to make that connection that's not religious, so much religious that it identifies as only that space, but could identify for anyone's, however anyone is getting their arms around who they think God is or who they think the universe is or who they think they are.
我当时就在那儿有了这个想法,接着就把它写完了。
And, I sort of came up with it there and then finished it.
这太美了。
It's beautiful.
我特别期待马上要发布的单曲《我和上帝在钓鱼》。
I'm really looking forward to the upcoming single Me and God in a Fishing Pole.
能跟我们多聊聊你和纳什维尔的故事吗?
Can you tell us more about your journey with Nashville?
是什么让你来到纳什维尔,并最终拿到了第一份唱片合约?
What led you here to having your success in Nashville and your first record deal?
再跟我们说说你后来的转变吧。
And then talk more about your transition.
是什么让你觉得在纳什维尔越来越不自在,转而想去怀俄明州从事马术工作?
What made you feel like maybe you were starting to feel out of your element in Nashville and wanted to go work in horsemanship and be in Wyoming?
医生。
Doctor.
这背后有个很长的故事。
Big story there.
我知道你们喜欢深挖细节,所以我才给了这么多详细回答。
I know you guys dig pretty deep here, so that's kind of why I'm giving you some longer answers than otherwise.
我会尽量把这事说清楚。
I I'll answer that the best way I can.
我记不得什么时候没碰过吉他了。
I don't remember when I didn't play guitar.
家里人说,我那时候大概四岁,看到电视上有什么节目,就吵着要一把吉他。
So I was told by my family at the time that I had asked for a guitar, I was about four, and I had seen something on television.
好像是格伦·坎贝尔的《好时光秀》之类的节目吧。
I think it might've been episode of Glenn Campbell's Good Time Hour or something.
对吧?
Right?
具体怎样我也记不清了,反正他们就这么告诉我。
And I don't know, but that's kind of what they told me.
我就是想不起来有哪天没弹过吉他。
I don't remember not playing guitar.
说到底,我一开始根本不懂吉他怎么弹。
And long story short about guitar, I didn't know what I was doing.
完全是一头雾水。
I had no idea.
那时候要练琴,可没多少钱,也没机会上多少课。
There was so much work to be done and not really any money or opportunity to have very many guitar lessons.
我上过几节,但我会拿那种粉色的泡沫卷发器——就是女生现在还用的那种带小塑料夹子的泡沫卷发器。
I had a few, But I would take a pink foam curler, like women still wear with those little snap pink plastic things and foam curlers.
我把那个塞在吉他弦下面,一直顶到琴桥那儿。
And I would push that up underneath my strings on my guitar all the way up against the saddle.
这样弦就变闷了,你还能听到音色,但家里其他人根本听不见我弹。
It mutes the strings so you can still hear the tone, but but nobody else in the house could hear me play.
我就随便弹点自己想到的东西。
And I just played whatever I could think.
说白了,我就是在吉他上自己瞎编。
So basically, I was making up stuff on the guitar.
我只能逮着机会听点音乐,但大部分时候还是自己琢磨。
And I was listening to what I could when I could, but I would make stuff up.
可既然我编了这些,就得再配上点别的东西才行。
Well, the next thing, if I was making that up, I had to have other stuff to go with it.
我开始编一些东西来搭配它。
I started making stuff up to go with it.
我学会了演奏很多种乐器,而且一点都不担心。
I learned how to play a lot of different instruments, and I wasn't worried.
我根本没想过商业化的事。
I didn't think about commercialism.
我只是想,什么才配得上这段旋律?
I just thought, What goes with this?
我脑子里在想些什么?
What am I thinking about?
那时候我还是个孩子,对生活懂不了多少。
Well, at the time I was a kid, I didn't know much about life.
我尽可能多地学歌。
I learned as many songs as I could.
后来我就一直跟着音乐走。
Well, I just followed music for a while.
我是搞过音乐剧的。
I mean, I did musical theater.
我给《耶稣基督万世巨星》弹过主音吉他,也在一些神秘团体里唱过歌。
I played lead guitar for Jesus Christ Superstar for a I sang in magical groups.
我试过好多不同的乐器,学过古典吉他,也自学了钢琴和五弦班卓琴。
I did so many different, studied classical guitar some, learned how to play piano, five string banjo.
说实话,我至少偷偷跑出去过两三次,就为了去参加一个本来不该去的蓝草音乐节。
Heck man, I kind of ran away at least two or three times to go to a bluegrass festival that I wasn't supposed to go to.
后来呢,有人给我提供了去纳什维尔工作的机会。
And anyway, I got offered a chance to work in Nashville.
我本来真没想过去唱乡村音乐。
And it wasn't originally my thought, Oh, I'll do country music.
只是碰上了这个机会而已。
It was the opportunity I had.
我就坐在演出剧场后面的小拖车里,弹着一把花九十块钱从别人手里买来的羊肠弦吉他。
And I just sat in the trailer behind the theater where we were doing this show and I would play this gut string guitar that I had bought from somebody for $90.
我那时候就随便写点东西,想到什么就写什么。
And I would just write whatever I could while I was out there.
有人听说了这事,就邀请我去参加创作之夜。
Some people heard about that, asked me to a writer's night.
后来我签了出版权协议。
I got a publishing deal.
正是这些经历把我带到了今天的位置。
And that is what led me to where I was.
所以那时候,其实我一直都在自我探索,一边学写歌,一边慢慢明白什么才是商业上行得通的,怎么为别人写歌——这些我以前根本没想过。
So then I think there was still, well, no, I know there was still a self discovery that whole time learning about songwriting and then getting a real lesson in what was commercial, what was writing for someone else because I never thought about that.
小时候,你要是跟我说:
I mean, when I was a kid, you could have said, you know what?
将来你会写一首歌,让默尔·哈加德来唱,
Someday you're gonna write a song and Merle Haggard's gonna sing it, Or Willie Nelson's going to sing it.
或者威利·尼尔森来唱,
Or George Jones is going to sing it.
乔治·斯特雷特会唱你的歌。
George Strait is going to sing it.
基思·乌尔班也会唱你的歌。
Keith Urban's going to sing it.
然后要是有人跟你说,算了,别提了。
Then if somebody said, Oh, no, never mind.
他们都会上门来唱你的歌。
They're all going to sing your songs.
好吧。
Okay.
我从来没想过真能有这一天,但这就是我的经历。
I would never have thought that that would ever have happened, but that was the journey.
说实话,我当时只是尽力写好每一首歌。
Well, that was me honestly, just writing the best I could.
那时候我根本算不上什么厉害的写手。
It wasn't me already being a good writer.
可能是因为我一直在打磨,才积累了一些原始的素材。
It was me maybe having some of the raw goods because I'd worked on it.
我不太明白这背后的机制。
I don't know how that works.
我到现在还是不确定,一个人是不是天生就注定能写好歌,或者怎么努力都没用。
I still don't know if there's some seed in someone that says you're going be a good writer or you're not going to be a good writer or you'll never be even if you apply yourself.
我更倾向于认为,写作是可以学出来的。
I tend to think that it's something that can be learned.
我觉得,只要你肯下功夫,任何事都能越做越好。
I think that I think you can you can get better at any at any pursuit that you want to if you apply yourself.
也许有些人天生就对写作更有感觉。
Maybe there's some natural proclivities that someone has that leads them there.
但如果我们自己没写过,根本无从判断一首歌到底好不好。
But otherwise we wouldn't know what a good song was if we hadn't written it.
你一听歌,就能感觉到它是不是好歌。
You listen to a song and you know it's good.
所以如果你知道什么是好作品,就可以反过来去追寻,大概率能更接近它。
So if you know it's good, you could chase it in the other direction and probably get closer.
等我真正开始尝试当一名艺术家的时候,正好有人给我提供了唱片合约,我的第一张专辑不算特别成功,但也算相当不错,里面出了五首热门单曲。
Well, by the time that I got, had tried worked on being an artist, I was offered a record deal, had a very, I shouldn't say very successful, but I had a fairly successful first record and five hit songs off of it.
后来,那些和我一起录歌的人开始说,我写的歌太差了,根本上不了乡村电台。
And it sort of became where the people around me that I was cutting records for were telling me the songs I was writing were terrible, and they weren't going to work on country radio.
我一度试着迎合他们的口味,但私下里还是继续写自己真正喜欢的歌。
And I started trying to please them in one way, but I was still writing the songs that I really liked.
真正被录下来的,恰恰就是这些我真心喜欢的歌。
Those are the songs that got recorded.
比如我写给科林·雷伊的《Love Me》,后来还被提名为ACM年度歌曲。
Love Me that I wrote for that Colin Ray recorded, for instance, it was nominated ACM song of the year.
这首歌在电台播放了数百万次。
It's been played millions of times on the radio.
我只要去任何一场乡村音乐演出,观众都会唱这首歌的歌词。
I can't go to a country and do a show where people don't know the words to that.
他们说这首歌太差了,根本不可能上电台播放。
And I was told it was a terrible song, would never be played on the radio.
他们不让我录这首歌。
I couldn't record it.
要是我带点像样的作品去,说不定咱们还能合作出张专辑。
And if I would bring them something that was good, then we might have a record together.
你看,这信息完全是矛盾的。
So you can see how it's conflicting information.
不能指着他们说:瞧,这些人多瞎眼。
Can't point a finger and say, Look how wrong those guys were.
每首歌在火了之后,听起来都像热门单曲。
Every song sounds more like a hit after it's a hit.
一首歌火了之后再听,根本不会觉得它有问题。
It's never a problem to hear a song as a hit after it's a hit.
他们只是在表达自己的看法而已。
So they were just offering their opinion.
但我们现在都知道,那时候的判断其实是错的。
Well, that opinion was incorrect at the time, as we now know.
这件事反而让我走上了写歌的路。
And it led me into songwriting.
几年后,词曲作者的收入其实很低。
Well, fast forward a few years, Songwriters don't get paid a heck of a lot.
我们嘴上都说知道,可真到这时候,又好像忘了这回事,得停下来想想。
We all know that we say we know it, but then we don't then we kind of don't think, well, wait a second.
一个词曲作者到底能赚多少钱?
How much does a songwriter make?
要写多少首歌?
How many songs?
在二十五年里,你得写出多少首成功的歌,才能撑起所有开销?
How many successful songs do you have to write in a twenty five year period to be able to afford to everything that you need?
不仅如此,当我熬到那个阶段时,还遇到了不少音乐行业的烦心事。
Not only that, when I got to a space in that kind of time, I had a number of different music business frustrations.
我遇到过一些事,真的让我想不通,怎么有人能为这种行为找借口?
There were some things that happened to me that again, I just went, how can somebody justify doing that?
我不会点名批评谁,但这件事足够让我下定决心:我不想再卷入这种圈子了。
And I'm not going to throw anyone under a bus, but it was enough for me to go, this is, I don't want to be involved in that kind of thing.
事实上,我的新专辑《蜻蜓》里有一首歌马上就要发布了。
I don't want, in fact, there's a song on Dragonfly that's coming out.
也许下次我们再聊的时候,我可以放这首歌给你们听,专门聊聊它,因为这首歌说出了我的心声。
And it's, maybe we'll do another one of these and we can play that song or so we can talk about that song specifically because I illuminate that.
不是具体哪件事,但大家一听就能懂。
Not anything specific, but something people will understand.
这让我开始认真反思:如果我做自己喜欢的事却赚不到钱,非得撞墙式地写些只为别人赚钱、自己却痛苦不堪的歌,那我还能坚持吗?
And this caused me to look deeply into myself and go, if I can't make a living enjoying what I'm doing, if I have to sort of bang my head against the writer's room window or wall to write something that's going to make someone else money and I'm unhappy.
我觉得这种状态根本不可能让艺术真正成长。
I don't see that as something that blossoms at all artistically.
这种状态下,我既无法把真心献给在乎的人,也无法为那些素不相识的听众带来最好的作品。
I don't see that as something even where I'm able to offer the hearts of people that I care about and those people I don't know my best work.
与此同时,我爱上了马,不是因为骑马本身,而是真的爱上了它们。
In the meantime, I had fallen in love with horses and I had fallen in love with horses, not just because I was riding them.
我开始往怀俄明州跑。
I was going to Wyoming.
从2000年就开始去了。
I've been going there since 2000.
每次去,待的时间都更久一点。
Every time I went, I stayed longer.
待得越久,我就花越多时间在马身边,不只是骑它们,更多是看着它们,心里想:这背后有太多东西了。
And every time I stayed longer, I spent more time around horses, not just riding them, but watching them going, There's a lot here.
它们之间的沟通,我完全不懂。
There's a lot of communication I know nothing about.
我坐在一个生命身上,它内在的世界远比我想象的丰富得多。
I am sitting on top of a being who has so much more going on than I gave any credit to.
我真是瞎了。
I'm blind.
我真的是完全看不见。
I'm absolutely blind.
我得弄清楚自己不知道什么。
I need to find out what I don't know.
它们能教我些什么呢?
What have they got to teach me?
于是我开始深入探究。
Well, I started digging that in.
我变得谦卑了。
I was humbled.
我彻底被震撼了。
I was knocked over.
简直就像被卡车撞了一样——被我所不了解的东西,被它们想让我看到的一切。
Might as well just hit me with a truck knocked over by what I didn't know and what they had to show me.
所以那时候我说,我其实做不了那些真正能带给我快乐的事。
So I said at that time, Well, I'm not really able to do what I have to, what I can do that is bringing me any kind of joy.
我赚的钱其实不多。
I'm not really making a lot of money.
这倒是真的。
That's for sure.
所以这钱赚得不值。
So it's not worth the money.
那我生活中的各种关系,包括和自己的关系呢?
So what about all the relationships I have in life, including the one with myself?
我会失去什么?
What will I not have?
什么
What
会
will
我再也无法一起看日出日落的人是谁?
I not be able to go around the sun with?
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我这一生能绕太阳转多少圈?
How many times am I going to go around the sun?
我不知道。
I don't know.
我这一生能呼吸多少次?
How many breaths am I going to take?
我不知道。
I don't know.
但现在的我,正带着这些领悟绕着太阳转、呼吸着,它们让我更清楚地看到,我喜欢成为怎样的人。
But I am now going around the sun taking breaths with the information I've got from that, that showed me more of who I enjoy being as a person.
它们也让我对他人有了更深的体谅,更懂得欣赏他们。
And it gave me a much deeper appreciation for what I could allow other people and see in them.
我能够立刻原谅的事情。
What I could be immediately forgiving of.
我的意思是,立刻就能原谅。
I mean, immediately forgiving.
如果你观察草原上的马,它们遇到问题时,其实特别有意思。
If you watch a horse in a field and they have a problem, this is a really interesting thing.
马会直接表达:不行,这不对。
A horse will basically say, no, this is not okay.
但如果是因为两匹公马为了争夺配偶而争斗,那就不一样了。
And if they have a difficulty, is not, if it's two stallions going after each other because they want a mate.
对。
Okay.
那种情况不算。
That's not it.
但在另一种情况下,比如对方说:‘你不跟我一起吃’,或者别的什么事,我就要动你的脚了。
But in another situation, somebody says, You're not eating with me, whatever it is, I'm this, I'm going to move your feet.
事情发生得很快。
It happens quick.
就像在警告你:我先提醒你一次,再提醒你一次,然后——事情就结束了。
It's like, I'm warning you, I'm going to warn you again, then, Hey, and then it's done.
几秒钟后,它们就完全放松了,开始吃草。
Seconds later, it's all let go of and they're eating.
它们就只是悠闲地待着。
They're just hanging out.
人有时候就不会这样,但我现在对自己,对别人,越来越能做到这样了。
That doesn't happen with people sometimes, but it happens with me now more about myself and a lot more for other people.
我其实已经把音乐放一边了。
Well, I had let music basically go.
我的意思是,我还能弹。
I mean, I could still play.
我依然在弹。
I still did that.
但当我深入进去之后,我开始理解人际关系。
But as I got into that, I was learning about relationships.
后来,我甚至开始办工作坊,和其他专业人士一起合作。
And then I began even doing clinics and working with other clinicians.
通过深入理解这种关系,我真正帮助马匹学会如何更好地与人类相处,更重要的是,也帮我们人类明白:该如何与马建立更好的关系。
Having looked deeply into that relationship and really being able to help a horse understand how to have a relationship better with humans, but more importantly, how to help us humans often be able to go, this is how we have a better relationship with the horse.
很多时候,你简直可以跟马说:‘姐妹,你知道吗?’
Most of the time, you might as well say to the horse, you know what, sis?
这都是我的错。
That was my fault.
我该给你让个道。
Let me get out of your way.
咱们再试一次吧。
Let's try that again.
也许我是在主动邀请你。
I might be inviting you.
你本该做点什么,但我得先让你有成功的可能,毕竟你是马,你不懂这些。
You might supposed to be doing something, but I've got to set you up to win because you're a horse and you don't know.
你不懂,但我真的在向你求助。
You don't know, but I'm really asking you.
我得让你明白这一点。
I've got to help you understand that.
你知道最酷的是什么吗?
And you know what's really cool?
从来没有任何一匹马问我关于肯尼·切尼的事。
There's not been a horse ever who asks me about Kenny Chesney.
从来没有一匹马跑来问我:肯尼·切尼是怎样的人?
Haven't had a single horse ever say, Hey, what's Kenny Chesney like?
好吧。
Okay.
这也不算坏,对吧?
That's not bad, right?
但它也不了解我写过的任何一首歌。
But it also doesn't know any song I've ever written.
它根本不在乎我叫什么名字。
Doesn't care what my name is.
它只关心什么是真实的。
The only thing it cares about is what is real.
比如真正发生的事,不是我以为的真实,而是我身体里实际在发生什么。
Like what is real, not what I think is real, but what's really going on with my body.
我传递出的能量是什么?
What's the energy I'm sending?
这份真实感有多强?
How authentic is it?
这份真诚度有多高?
How genuine is it?
我用身体和所散发的能量来表达这些,到底有多到位?
And how skillful am I at expressing that with my body and the energies that I give?
如果你哪天跟我一起靠近马,我马上就能让你明白我的意思。
And if you ever go out around a horse with me, I can very quickly show you what I mean.
这和我写歌的体验太像了,完全相关——因为我写歌时,和我所写的人、包括我自己,都有着这样的关系。
This was so akin, so closely related to what I realized was songwriting because of my relationship to what I was writing and the people for whom I was writing, myself included.
我不觉得我只为自己写,或者只为了别人写。
I don't think I don't write for myself and only for others.
但现在,我确实时时都在考虑这两方面。
But I do think about both of those things all the time now.
这就像是和马打交道,如果人忘了你们之间有关系,不再是一起的,马走一边,人走另一边,结果对人几乎从来都不是好事。
It's like when you're working with a horse, if the human forgets that you have a relationship, if it stops being we and the horse goes one way and the person goes another, it's almost never good for the person.
所以对我来说,做音乐的时候,我也会想着那些其他人。
So for me also, as I'm doing music, I think about those other people.
我在想你。
I think about you.
如果我认识你,如果此刻我要在这里唱歌,我会想着整个情境,想着谁在听。
If I know you, if going to sing right here, if I was going to sing right here, I would be thinking about this whole situation and who's listening.
如果你现在正在听,我想象的其实就是一个听众在那儿。
If you're listening right now, basically what I imagine is there is someone listening.
不是上百万的人在听,而是上百万个个体在听,他们可能会把生活放进我唱的词、我给的歌里,看看能不能对上。
Not a million people listening, but a million individuals are listening with the possibility of putting their life into the words I'm offering or the song I'm offering and seeing how it fits.
我能不能把自己的人生也融进去呢?
Can I get my life in there somehow?
这会不会打动我?因为它唤起了我曾经的经历——那些让我成长、让我欢庆、让我流泪、让我无比快乐的时刻?
Does that move me because it brings up what the, it brings up the experiences that I've had, where I can grow, where I can celebrate, where I can cry, where I can be super happy?
也许吧。
Maybe so.
我希望如此。
I hope so.
因为这正是我们正在做的事。
Cause that's what we're doing.
等我们到了怀俄明州,我妻子才说,我之前一直在折腾这些点子,她提醒我:你该把这些旅程串起来了。
Well, by the time we got to Wyoming, that's when my wife said, after I was messing with these other ideas, she said, you need to put the journeys together.
你真该这么做。
That's what you need to do.
于是我就只是随便做点东西,因为我不确定自己还能不能回纳什维尔,做点能卖得出去的音乐。
And so then I was just going to do stuff for fun because I didn't know for sure I'd be able to come back and do something in Nashville commercially.
所以我在怀俄明时期写的那些歌,风格跟以前很不一样。
So the songs that I were writing were very different on the Wyoming record.
里面有些特别有意思的作品,我一辈子都会庆幸写过它们,因为现在我每场演出都有人点歌要听。
There's some really interesting stuff and I will for ever be happy that I wrote them because I now I can't go and do shows without people asking me.
有时候是那些比较冷门的歌,比如《Margalaine》《Cowboy Inside》《Railroad》或者《Petroglyph》。
And it's for the more obscure songs sometimes like Margalaine or Cowboy Inside or, you know, or a railroad or petroglyph.
这些歌跟主流乡村电台或者甚至美国民间音乐电台放的完全不一样。
These things that are much different than you are going to get played on mainstream country radio or even Americana.
然后就这样,顺其自然地推出了第二张专辑。
And yeah, so that just took steps from there to a second record.
我们还写了一首特别有趣的歌,叫《Road Dog》,讲的是一只狗在唱歌,说它最爱待在卡车里。
And we had a little bit of a really fun song called Road Dog that was about a dog literally singing about about loving to be in the truck.
就是卡车、汽车,反正就是车里吧。
I mean, and or or the car or whatever it was.
这首歌特别能引起大家的共鸣。
And that hit a chord with so many people.
于是我们启动了这个蜻蜓项目。
So then we started this Dragonfly project.
虽然我们已经发布了几首歌,但整张专辑还没正式推出。
And although we have released a few songs on it, we certainly haven't released the record.
我们推出了一首叫《我想要一切》的歌,算是第一支主打单曲,不过没上主流电台。
We put out a song called I Want It All, which was basically the first radio single, but it didn't go out to mainstream radio.
它是发给那些还能自主选歌播放的电台的。
It went out to radio stations who are still able to make a choice about what they want to play on the radio station.
我们发现很多人其实很喜欢听我做的音乐,最后那首歌登上了完全独立音乐榜的冠军,因为我根本没有唱片公司。
We found out that a lot of people wanted to play what I was making, and we ended up having a number one song on the independent, on the fully independent chart because I don't have a record label.
它在前五名里待了好几个星期。
And it stayed in the top five for weeks and weeks.
这说明大家确实是喜欢听的。
Look, this was an indication that people were enjoying listening.
我于是拉起团队,身边慢慢聚起了一群人。
I went, team and began to gather around me.
当这一切开始发生时,它让我感受到一种可能性的共鸣。
When all this starts to happen, it resonates with right as far as it resonates with possibility.
我必须认真听从这种感觉。
I have to listen to that.
如果我正朝着这个方向走,身边所有人都热爱自己在做的事,相信我们正在做的,这就是我说的‘共鸣’——有时候,你就是能隐隐感觉到。
If I'm going in that direction and everyone around me is loving what they're doing, believing in what we're doing, and it's and it's it when I say resonate, I mean, can you can you can feel that sometimes you get an inkling.
那我们为什么还要在这儿浪费时间呢?
This is just why are we wasting our time here?
如果只是为了钱,那我们就干。
We'll do it because the money's there.
如果真变成那样,那我们得重新考虑,但眼下根本不是这么回事。
If that starts happening, then you reassess, but that's not what's happening right now.
所以,虽然你可能希望剪得更精炼一点,但事实是,这并不是一首歌接一首歌、一个阶段到另一个阶段、一匹马换另一匹马的旅程。
And so that I know is a little bit longer edited how you want, but that's really how it's not a journey of song after song or one state to another or one horse to another.
这是一段理解的旅程。
What it is, is it's a journey of understanding.
这不是关于我放低姿态,而是我被迫变得谦卑,不管我愿不愿意。
It's a journey of not me having humility, but of me being humbled, whether I liked it or not.
我根本不可能说:‘好吧,我从此再也不碰音乐了。’
I could not be, imagine me saying, okay, I'm not going to do anything with music now.
是的。
Okay.
我这一辈子干的都是这个。
That's what I did my whole life.
我干的一直都是这个。
That's what I did.
别人喜欢我,就是因为这个。
If people liked me, it was because of that.
人家靠我赚钱。
People were making money off of me.
就是因为这个。
It was because of that.
突然间,我的名字是啥都不重要了。
And all of a sudden, doesn't matter what my name is.
我写过什么也不重要了。
Doesn't matter what I've written.
我认识谁也不重要了。
Doesn't matter who I know.
我赚多少钱也不重要了。
Doesn't matter what kind of money I'm making.
每当我走过去,花时间跟这些了不起的动物——比如马或者狗——待在一起的时候,其实有很多相似之处。
When I walk down there and I'm going to spend time with this amazing animal, like a horse or a dog, there's many similarities.
我去那儿的时候,我就是最真实的自己。
And I go down there that's what I am.
就这么简单,仅此而已。
And that's all, that's all there is.
就是这样。
That's it.
这在某种程度上让人自由,也让人谦卑,还带点害怕,但它既是一种机会,也是一种责任。
That is in its own way freeing, humbling, a bit scary, and it is both an opportunity and a responsibility.
如果我要对这匹马负责——我确实要负责——在我们相处时它的安全和福祉,那我也同时在为自己的成长负责。但这对我们俩来说,都是一个学习的机会,或许能一起拥有一次特别积极的体验,学会如何建立彼此的关系。
If I'm going to take responsibility for this horse, which I am, his or her safety and well-being while we're doing that, I'm also taking that responsibility for me, but it's an opportunity for us both to learn, for us both maybe to have an incredibly positive experience learning how to have a relationship together.
因为只要马儿跟人没有建立起关系,它就根本谈不上真正的生活。
Cause I kept going, if horse doesn't have a relationship with humans, if a horse doesn't have that relationship, it really doesn't have a life.
没人愿意留着它。
Nobody wants to keep it around.
可马一出生,它的妈妈并不会说:‘你得好好跟这些人相处,不然他们把你送走,你就再也回不来了。’
And yet when a horse is born, its mom doesn't go, Hey, you better do good with these guys because otherwise they're going to send you off somewhere and you're not going to be around anymore.
不会,它们根本不会这么说。
Nope, they don't do that.
它们根本不知道这些。
They don't know any better.
它们只能慢慢去学。
They just have to learn.
这就是原因。
This is why.
当这么做感觉很好时,当这种邀请来临时,比如:我有个主意。
And when it feels good to do that, when it feels good to do that, when that invitation is like, Hey, I got an idea.
咱们一起做吧。
Let's do this together.
好吗?
Okay?
因为我知道这对你有好处。
Because I know this is good for you.
咱们一起做吧。
Let's do this together.
如果我弄错了,我犯错的可能性比你还大。
And then if I'm wrong, I'll probably be wrong more than you.
只要我错了,我都会尽力说:等等,刚才那是我的问题。
And anytime I'm wrong, I'm going to do my best to go, Okay, wait, wait, that was my fault.
我一点都没给你压力。
I'm putting no pressure on you.
咱们再试一次好吗?
Please let's do that again.
你想想,要是换作是你呢?
So imagine that in a person's place, right?
你这么体贴,因为我一直在说个不停。
Let's say you're so kind, because I'm sitting here talking so much.
我知道这正是你想要的,你也愿意让我这么说,对吧?
I know that's what you want and you're letting me, right?
如果我事后想,哎,下次我们再做这事的时候,我是不是说得太多了?
If I go, Oh, right, next time we do it, did I talk too much?
也许吧。
Maybe so.
但如果真是这样,我希望自己能主动说:你知道吗?
But if I did, what I'd want to handle is I would want to say, You know what?
不好意思,我一下子说了太多话。
Sorry, I talk too much all at the same time.
我本可以做得更妥当一些的。
That really wasn't as skillful as I could have done that.
我再试一次。
Let me try that again.
我们再来一次吧。
Let's try that again.
我知道我能做得更好。
I know I can do better.
这样能避免很多可能在我们之间产生的负面情绪。
That will take away a lot that could have manifested between us that could have been negative.
我这话说得有点突然,对吧?
And this is a random thing I'm saying, right?
马身上经常会出现这种情况。
Happens all the time with a horse.
不行,我们再来一次。
Just Nope, let's try it again.
把这一切都放下。
Let the whole thing go.
我们重新来一遍。
Let's do it again.
当感觉对了,我们俩都会知道。
And when it feels good, we'll both know.
下次在任何关系中再遇到这种情况,如果你能很快意识到自己做错了,其实本可以处理得更妥当。
And the next time it comes up in any relationship, I feel if you can realize quickly you made a mistake, you really could have done it more skillfully.
你一跟对方这么说,我相信他们马上就能对上号。
Minute you say that to a person, I believe they'll see themselves in it.
如果你真诚,就会觉得:我刚才真够笨的。
If you're authentic, you go, that was so unskillful of me.
明白了。
Okay.
不管怎样,我提高了嗓门。
Whatever it is, I raised my voice.
我用了本不该说的话。
I used language I shouldn't have used.
情况可能更糟,甚至我自己都没意识到。
Can be worse than that can be, or I didn't even see that.
我真的非常抱歉。
I am so sorry.
让我再试一次。
Let me do.
我可以做得更妥当得多。
I can do that way more skillfully.
你不该受到这样的对待。
You didn't deserve that.
再给我一次机会吧。
Give me another shot.
他们几乎都会答应你。
They'll almost always let you.
所以我们又回到音乐上来了。
So now we're back to music.
我现在就在这儿。
So here I am.
我当初想当个艺术家。
I wanted to be an artist.
他们不让我删掉我想删的歌。
They wouldn't let me cut the songs I wanted to cut.
现在我年纪大了。
Now I'm older.
有些人甚至说我的嗓音更好了。
Some people even say my voice is better.
我不确定。
I don't know.
这不一样了。
It's different.
这点没错。
That's for sure.
我对感情的看法确实变了。
The way I look at relationships is certainly different.
我提供音乐的方式也不同了,但这里面凝聚了我多年来对一项真正信奉的技艺的投入。
And the way I offer music is different, but it does have all this time that I've spent working on a craft that I really believe in.
我们制作唱片的方式也有了新的思路。
And there are new ways to think about the way we make records.
人们对音乐的关注方式也呈现出不同的趋势。
And there's a different sort of spectrum of the way people pay attention to music.
我知道自己一定会在作品里藏些彩蛋,这点毫无疑问。
And one thing I know about me is there's going to be Easter eggs, no doubt.
明白了。
Okay.
我写的每一首歌都不会藏着什么彩蛋。
There's not a song I'm going to write.
它不会故意埋什么隐藏线索。
It's not going to have some kind of Easter egg.
如果你再听一遍,我希望你能发现一些第一次没注意到的东西。
And if you listen to it a second time, I'm hoping you'll find something you didn't find the first time.
但同时,我也能用别人做不到的方式表达,这让我既能当一个写歌的艺术家,也能当一个唱歌的艺术家。
But also there's the opportunity for me to say it differently than anyone else, which allows me to be both an artist as a writer and an artist as a singer.
对我来说,所谓艺术家,就是我在吉他上表达自我的方式。
By, for me, when I say artist, my artistic voice is how I express myself on the guitar.
我一辈子都是这样做的。
Have done that my whole life.
我都想不起来什么时候不是这样了。
I don't remember when I didn't.
我唱歌的方式,还有我唱歌的风格——我说的不是选了什么音符,而是我从哪里汲取灵感?
How I sing and that and by how I sing, I'm not talking about the notes that I choose so much as what's the well I'm drawing from?
情感的源泉是什么?
What's the emotional well?
不管是欢乐、浪漫、有力、恐惧、悲伤,还是极度开心,我到底在汲取什么?
Whether that's fun, whether it's romantic, whether it's powerful, whether it's scary, whether it's sad, whether it's ultra happy, where am I drawing from?
这也同样是一种艺术表达方式。
And that is an artistic voice in the same way.
它会决定我如何创作一首歌。
It will be a way that I write something.
嘿,老头儿,你听得到吗?
Hey old man, are you listening?
这是这首歌的第一句。
It's the first line of a song.
如果没人明白这句话的意思,我希望他们会想:他这是在跟谁说话?
If nobody knew what that is, I'm hoping they go, Is he talking to?
这到底是什么意思?
What is that?
我们来听下一句。
Let's listen to the next line.
你听到了吗?
Are you listening?
我知道我这一生犯过不少错。
I know my life's been full of sin.
我可能没得选,也没机会进去。
I probably got no choice, no chance of getting in.
我不认识谁没想过:算了,就这样吧。
I don't know anyone who hasn't thought, Okay, that's it.
我是进不了天堂的。
I'm not getting into heaven.
如果你还相信有天堂的话。
If you think there's a heaven.
这话有点调侃,但我相信说的就是我们所有人。
It's a little tongue in cheek, but I believe it's all of us.
我觉得,我终于开始有机会被听见了。
And I think that I'm starting to be given an opportunity to be heard.
这我就心满意足了。
And that's all I can ask for.
这我就心满意足了。
That's all I can ask for.
最棒的是,做完这件事之后——虽然做起来有点吓人,毕竟要跟别人不一样,要有点不一样。
And the great thing is that after doing that, which is a bit scary to do, to do it different than other people, to do it a little different.
这才真正称得上是艺术家。
That's how we are actually artists.
我觉得,这才让我们不是复制品。
Think that's how we're not clones.
这才是艺术家,需要冒险,但求求你,给我一次机会去做吧。
That's how we're artists, and it takes a chance, but man, give me a chance to do it.
突然间,因为有人在听,我整个人都飘起来了。
Now all of a sudden I'm high as a kite because people are listening.
人们都在说:嘿,你听过这个吗?
People are going, Hey, have you heard this?
你一定要听听这个。
You should hear this.
听众数量开始增长,越来越多的人播放这首歌,我也上了更多像这样的优质播客。
The numbers start to grow and more people play the song and I get on more awesome podcasts like this.
这正是我所求的。
And that's all I can ask.
这正是我所求的。
That's all I can ask for.
是的。
Yeah.
太美了。
That's beautiful.
是的。
Yeah.
谢谢你分享你的故事和经历,我真的很感动。
I love thank you for sharing your story and your journey.
我特别喜欢你讲的马和人之间的那种联结,以及它如何帮助你更好地理解人与人之间的关系。
And I love perspective of between a horse and human connection and how that helps you be more connected with humans.
就像你说的,我们在骑马或者创作音乐的时候,总得有些东西能触动我们。
And, you know, like you said, we have to have something to draw from when we're riding or doing music.
如果你一直处于一种掏空的状态,什么都提不起劲,那其实是个明显的信号,说明你该换个环境了。
And if you're in a headspace or place where you can't draw anything anymore, that's definitely a a good way to realize that maybe you need to put yourself in a different place.
对你来说,那个转折点就是去了怀俄明,重新贴近自然,也正是在那里,你找回了创作的灵感。
And for you, that was going to Wyoming, be more connected to nature, and that's where you found more inspiration to draw from.
当然,你取得这么多成就之后,只是需要暂时离开纳什维尔喘口气,现在又重新开始发布新音乐了。
And, of course, with all the success you had, you were just in a place where you needed a little break from Nashville, and now you're releasing more music again.
我们马上回来,继续收听《Takin’ A Walk Nashville》播客。
We'll be right back with more of the Takin' A Walk Nashville podcast.
昨晚,一个误判彻底改变了比赛的走向。
Last night, a blown call changed the game.
今天早上,全网都炸了。
This morning, the Internet lost its mind.
热门话题刷屏,各种观点满天飞,可就是没人说清楚到底发生了什么。
Highlights are trending, opinions are flying, and nobody's telling you exactly what happened.
这就是《Sports Slice》的用武之地。
That's where Sports Slice comes in.
我是蒂姆博。
I'm Timbo.
每期节目,我们都拨开迷雾,拆解关键回合、争议事件,以及新闻背后的那些故事。
Every episode, we're cutting through the noise, breaking down the plays, the controversies, and the stories behind the headlines.
我们直接找当事人,听运动员亲口讲更衣室里的事、他们的真实反应——那些没人能听到的细节:笑声、戏剧性时刻、胜利的瞬间,那些根本不会出现在集锦里的真实片段。
We go straight to the source, the athletes themselves, their locker room stories, their reactions, the stuff nobody gets to hear, the laughs, the drama, the triumphs, the moments that never make the highlight real.
从病毒式传播的瞬间,到历史性比赛;从压哨绝杀,到争议判罚,我们都帮你理清来龙去脉,提供背景,回答大家最想问的问题。
From viral moments to historic games, from buzzer beaters to controversial calls, we break it down, give you context, and ask the questions everybody wants answered.
《Sports Slice》带你贴近赛场,用亲历者的故事,还原最真实的体育世界。
Sports Slice brings you closer to the action with stories told by the people who live them.
在 iHeartRadio 应用、Apple 播客,或者你常用的任何播客平台收听《Sports Slice》。
Listen to Sports Slice on the iHeartRadio app, Apple Podcast, or wherever you get your podcast.
想了解更多内容,请关注 Timbo Slice Life 12 和 TikTok 播客网络在 TikTok 上的账号。
And for more, follow Timbo slice life 12 and the TikTok podcast network on TikTok.
生活总会抛给你各种大小不一的困难。
Life throws hurdles big and small.
关键在于,你该怎么去克服它们?
The question is, how do you conquer them?
在《Hurdle with Emily Abadi》这档节目里,我们会和体育与健康领域最鼓舞人心的女性对话——职业运动员、教练、奥运冠军,聊聊那些塑造了她们的挑战,以及支撑她们一路前行的心态。
On hurdle with Emily Abadi, we sit down with the most inspiring women in sports and wellness, professional athletes, coaches, and Olympic champions to talk about the challenges that shaped them and the mindset that keeps them going.
比如 WNBA 的明星凯特·马丁,还有崭露头角的冰球新星莱拉·爱德华兹。
From the WNBA standout Kate Martin and rising hockey star Layla Edwards.
男孩能做的事,我真不明白为什么女孩就不能做。
If a boy can do it, I don't see why a girl can't.
我从来就不懂这种说法。
Like, I've never understood that.
我真是想不通,完全没法理解。
Like, it didn't sense in my brain.
身处一个没人和你长相相似的环境确实不容易,但千万别觉得自己不属于那里。
It's hard to be in spaces that no one looks like you, but don't ever feel like you don't belong.
别因为这个就放弃去做这件事。
Don't let that be the reason you don't do it.
还有奥运冠军加比·托马斯和凯蒂·莱德茨基。
And Olympic champs Gabby Thomas and Katie Ledecky.
能拿着金牌给别人看,看到他们脸上瞬间绽放的笑容,这对我来说意义非凡。
The ability to show a gold medal to someone and have their face light up and smile, that means the world to me.
正是这份感动,让我想要赢得更多的金牌。
And that's what motivates me to win more gold medals.
在我们这个层级、这种规模下,能在全世界面前失败,其实也是一种能力。
At our level, at this scale, like, being able to fail in front of the entire world.
我什么都能做到。
Like, I can do anything.
我真的什么都能做到。
I can, like, I can do anything.
韧性不仅仅关乎胜利。
Because resilience isn't just about winning.
即使很难,也要坚持出现。
It's about showing up even when it's hard.
收听艾米莉·阿巴迪的《跨栏》节目,可在 iHeartRadio 应用、Apple 播客或你常用的播客平台收听。
Listen to hurdle with Emily Abadi on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.
本节目由美国运通赞助,是 iHeart 女性体育的创始合作伙伴。
Presented by Capital One, founding partner of iHeart women's sports.
欢迎来到我的新播客《跌倒中学习》,我是主持人,也是你最爱的心理咨询师基尔·盖恩斯。
Welcome to my new podcast, learn the hard way with me, your host, and your favorite therapist, Keir Gaines.
值此心理健康意识月之际,我将分享自己十多年在心理健康领域的工作经验,以及与众多杰出嘉宾的对话。
And in recognition of mental health awareness month, I'm bringing over a decade of my own experience in the mental health field and conversations with so many incredible guests.
我将邀请特里普·方坦和瑞安·克拉克做客。
I'm talking Tripp Fontaine, Ryan Clark.
有时候我们一心追求目标,却陷在追逐里,根本没意识到自己其实已经拥有了想要的东西,还在没完没了地追,也不知道什么时候才算够,因为总拿外界的标准来衡量。
Sometimes when we're in the pursuit of the thing, we get so wrapped up in the chase that we don't realize that we are in possession of the thing and we're still chasing it and we don't know when we done enough Because people scoreboard wise.
生活变得只剩下输赢。
Life becomes about wins and losses.
史蒂夫·伯恩斯,达斯汀·罗斯。
Steve Burns, Dustin Ross.
你努力做个好人,是因为觉得这很重要,还是因为害怕?
Because you find it important to be a good person while you're here on earth or are you a good person because you're afraid?
这可是两种完全不同的动机,兄弟。
Because that's two different intentions, bro.
没错。
Absolutely.
这背后的信任层次也完全不同。
And that's two different levels of trust.
我希望你能真心做个好人。
I want you to just really be a good person.
欢迎收听我的新播客《艰难中学》,我是基尔·盖恩斯,我们将深入探讨疗愈、成长、为人父、压力与人生使命。
Join me, Kear Gaines, as we have real conversations about healing, growth, fatherhood, pressure, and purpose on my new podcast, Learn the Hard Way.
打开免费的 iHeartRadio 应用,搜索《艰难中学》,立即收听。
Open your free iHeartRadio app, search Learn the Hard Way, and listen now.
雅各布·金斯顿在一座与世隔绝的多妻教派中长大。
Jacob Kingston grew up in an isolated polygamous sect.
我们是上帝在人间选定的国度。
We were God's chosen kingdom on earth.
他觉得自己生来就该成就一番大业。
He felt destined for greatness.
当一位自信张扬的亚美尼亚商人将雅各布带入一个非凡的世界时,他头也不回地跟了上去。
So when a swaggering Armenian businessman catapults Jacob into an extraordinary world, he doesn't look back.
法拉利和兰博基尼,私人飞机,
Ferraris and Lamborghinis, private jets,
还见到了土耳其总统。
meeting the president of Turkey.
我是米歇尔·麦凯,这起案件是我见过最令人震惊的刑事阴谋之一。
I'm Michelle McPhee, and this is one of the most shocking criminal conspiracies I've ever come across.
当雅各布遇见列万时,事情就演变成了一起十亿美元的诈骗案。
When Jacob met Levon, this went to a billion dollar fraud.
但两个来自完全不同世界的人,他们的帝国又能撑多久呢?
But with two kings from entirely different worlds, just how long can their empire survive?
美国历史上规模最大的税务调查。
The largest tax investigation in American history.
你得告诉我你都知道些什么。
You need to tell me what you know.
有人在追杀我吗?
Is somebody coming after me?
雅各布对列万说:你毁了我的人生。
Jacob told Lavon, you're ruining my life.
在 iHeartRadio 应用、Apple 播客,或者你常用的任何播客平台收听《骗局王国》。
Listen to kingdom of fraud on the iHeart radio app, Apple Podcasts, or wherever you get your podcasts.
欢迎回到《纳什维尔漫步》。
Welcome back to Takin' A Walk Nashville.
我特别喜欢那种 timeless 的歌,你写的时候根本没想到会有什么结果,结果二十多年后,你听说欧内斯特和莱妮·威尔逊在录你九十年代和迪恩·戴伦一起写的那首《如果我能》。
I love when songs are just so timeless where, you know, you write it, you think nothing is gonna come of it, and then for you, twenty plus years later, you heard that Ernest and Lainie Wilson are recording a song you wrote in the nineties with Dean Dillon, what if I could.
这么多年后,看到这首歌重新火起来,你感到意外吗?
Were you surprised to see the resurgence of that song after all these years?
那当然了。
Well, certainly.
我的意思是,谁也没料到会这样。
I mean, nobody expects that.
是啊。
Yeah.
谁也想不到会这样。
You know, nobody expects that.
结果它居然还有机会成为热门歌曲。
And so and for it to be then have a chance to be a hit.
这背后还有一个特别有趣的故事,苹果公司曾邀请莱妮录过一个版本。
And that had a really funny story, you know, because Apple invited Lainie to do a version.
她确实录了一个版本。
She did a version of it.
在这期间,欧内斯特听到了这个版本。
Ernest had heard it in the meantime.
他想把这首歌收进自己的专辑里。
He wanted to cut it on his record.
于是他就问莱妮,愿不愿意和他合唱一版。
So he asked Lainie if she would do a duet on his record.
但后来因为和她的唱片公司沟通后,她没法把这首歌作为单曲和欧内斯特一起发行,这也能理解。
And then when she sort of sort of with the understanding with her record label, wasn't able to put it out as a single with Ernest, which is understandable.
于是欧内斯特就重新录了莱妮原本唱的那部分,补全了整首歌,然后发了出去。
Then Ernest went in and, you know, recorded his second half of the of the song that Laney had otherwise sang, put it out.
现在大家听到的,有欧内斯特一个人唱的版本,也有他和莱妮合唱的版本,结果后者反而成了热门单曲。
And now people are playing Ernest by himself and Ernest and and Laney ended up being a hit.
事实上,这首歌在排行榜上待了五十多周。
In fact, it was on the charts for fifty something weeks.
你就会想,这事儿是怎么发生的?
And you just go, how does that happen?
我也不清楚。
I don't know.
因为有人发现了它,而且我们二十多年前写这首歌时确实下了功夫。
Because somebody discovered it and because we did a pretty good job writing a song twenty something years ago.
你可能会问,那当时为啥没被录下来?
You go, Why didn't it get cut then?
我也不清楚。
I don't know.
难道当时没录,就是为了等莱妮和欧内斯特后来来合唱一版?
Did it not get cut then so that Lainie and Ernest would do a version of it?
我也不清楚。
I don't know.
你让我想,我们能不能退一步,回到某个原点?
You made me think, Can we just take a baby step back to something?
你让我想起了这件事。
You made me think of it.
你让我想到一段经历,正好和你说的吻合——有时候你得换个角度看问题,就得先抽身出来。
You made me think about an experience that relates exactly to what you said, like how you look at something differently, that you need to sort of step away.
我确实这么认为。
I do believe that.
我觉得我们平时真该多这么做。
I think we need to do that a lot.
但这让我想起我偶尔会做的一件事,特别有意思。
But it reminded me of something I do sometimes that's a really interesting thing.
如果你还没试过,不妨试试。
So if you've never tried this, try this.
我练武术已经二十五年了,至少从年轻时就开始,那是我养家庭的一部分。
I also have done martial arts for twenty five years, at least, ever since I was younger as part of what my family did, my adopted family.
这是一种战士的技巧。
And there's this warrior technique.
跟着我试试,我知道这有点特别,但你真得试一试。
Roll with me on this because I know it's different, but you got to try this.
明白吗?
Okay?
你可以用一种很特别的方式运用你的视线。
So, so you can do something with your vision that is unusual.
你可以盯着同一个地方看。
You can look somewhere, just look at the same place.
明白吗?
Okay?
但一定要确保那里有阳光。
But make sure there's sun there.
确保阳光充足。
Make sure there's good sun.
做完之后,闭上眼睛,让脸朝着太阳。
Then after you do that, close your eyes and leave your face towards the sun.
保持这个姿势二十到三十秒。
Do that for twenty, thirty seconds.
眼睛一直闭着,别睁开。
Keep your eyes closed.
千万别直视太阳。
Don't do not look at the sun.
太阳不需要正对着你,只要闭上眼,让阳光洒在眼皮上就行。
Doesn't have to be full on straight at you, but just close your eyes and let the sunlight be across your eyes.
然后转过身,再看向刚才那个地方。
Then after that, turn back and look at the same place.
睁开眼后,你的视力会明显不一样,因为刚才你吸收了那束光。
When you open your eyes, your vision will be substantially different because of the way you took in that light.
你会看得更清晰。
You'll see it with a different clarity.
这正像你刚才说的,花一分钟,就能看得更清楚一点。
And that's kind of what you described right there, where you take a minute and then you can see it a little more clearly.
这过程其实很快,三十秒后就会有变化,真的会发生。
That's a very quick, that's thirty seconds later, but that really does happen.
所以今天就试试吧。
And so try it today.
转过身去,然后试一试。
Just turn your and try it.
这只是一个很小的技巧。
That's sort of micro thing.
但这么说挺贴切的:你暂时避开阳光。
But that's a good way of kind of saying, yeah, you lose the sun.
只要闭上眼睛,等一分钟,再重新看一眼。
You just kind of close your eyes and give a minute and then look at it again.
你会看到什么?
What will you see?
你会更珍惜什么呢?
What will you appreciate better?
对。
Yeah.
这挺有意思的。
That's interesting.
你现在不住这儿了,回到纳什维尔时,是不是有种不一样的感受?
Is that kind of your perspective returning to Nashville now that you don't live here?
你现在回来,看待它的方式是不是跟以前不一样了?
Do you look at it in a different light when you come here now?
我完全不会把责任归咎于纳什维尔。
Well, I don't point my finger at Nashville in any way at all.
换句话说,就像我跟你说过的,我新专辑里有一首歌,讲的是音乐行业里一个很糟糕的现象,但这种问题几乎每个行业都有。
In other words, I think that, like I told you that I have a song on the new record that basically is saying, there's a really not good thing about the music business, but it's in almost every business.
类似这样的情况到处都有。
There's things like that.
所以我能写这些,因为我亲身经历过。
So I can write that because I've lived it.
但纳什维尔并不是问题所在。
But Nashville is not the problem.
纳什维尔本身没问题。
Nashville is not a problem.
它跟过去已经不一样了。
It's different than it was in the past.
但我其实并不把纳什维尔当成一个整体来看。
But I guess I don't think about Nashville as an entity.
现在我更多看到的是这里聚集起来的机会。
Now I sort of see the opportunities that are clustered here.
我也看到很多很有能力的人,他们很在意我们听什么,比如AI的影响,比如内容是否值得传播。
And I also see some really capable people who care about what we're listening to, such as whether it's AI, such as whether the content is something that should be shared.
你说,我们到底是怎么决定哪些歌该播、哪些不该播的?
You know, how are how are we making the decisions about what is getting played and what's not getting played?
只是钱的问题吗?
Is it only money?
如果所有人都只盯着钱,那永远都不会有真正的满足感。
Cause if it turns into only money for everyone, it will never feel good.
还是有一些事情能让人感到欣慰的。
There are still some things that feel good.
我可以告诉你,我现在运气不错,因为我重新规划了自己的音乐事业,它开始呈指数级增长,已经有人主动联系我,我也主动联系了一些志同道合的人。
I can tell you that I'm fortunate enough now that I've put this my artist career together differently, and it's starting to grow exponentially that I have had people reach out to me and I have reached out to people that have that kind of resonance.
如果能围绕在我身边的团队本来就存在于纳什维尔——而我知道确实如此——那就说明这里依然有大量的东西。
If the kind of team that can get around me is in Nashville inherently, and I know that it is, that means there is a hell of a lot.
我可以说,这座城市和这个行业里,依然充满了真挚的情感,不管有些事情有多让人无奈,不管有多让人焦虑,也不管有多少人贬低它,说乡村音乐已经不如从前了,诸如此类的话。
That's okay for me to say a hell of a lot of heart in this town and in this business still right now, no matter what some things are having to, no matter how frustrating it can be, no matter how sort of scary it can be, and no matter how many people sort of put it down, say country isn't what it used to be, etcetera, etcetera.
这些观点确实有它的道理。
Well, there's merit in all those ideas.
但当我看向纳什维尔时,我看到的是它已经发生了翻天覆地的变化。
But when I look at Nashville, I see Nashville has changed dramatically.
唯一没变的是,很多人依然深爱着乡村音乐表达情感的方式,那些我们还能唱出来的心声。
One thing that hasn't changed is a lot of people's love for what country music is able, the way country music is able to express itself, if the things we're able to say still.
正因如此,我格外珍惜纳什维尔,这跟有些人对它的看法不太一样。
And so for that, I treasure Nashville, which is different than I think what some people might come at it.
这并不意味着我不能在怀俄明写歌。
Doesn't mean I can't write a song in Wyoming.
也不意味着我在巡演时不能在亚利桑那写歌。
Doesn't mean I can't be on tour and write a song in Arizona.
更不意味着我不能回来这里多待一段时间。
And it doesn't mean that I can't come and spend time here.
今年我在纳什维尔待的时间,比过去六年加起来还多,哪怕我一直在发新音乐。
I've spent more time in Nashville this year than I have in the last six years, even though I was putting music out.
我真的特别喜欢这里。
And I love it.
真的。
I do.
我在这里过得特别开心。
I've had a lot of fun here.
音乐行业里有没有哪些地方是我希望不一样的?
Are there things about the music business that I wish weren't the way they are?
当然有。
Of course.
每个人都是这样。
Just like everybody else.
在纳什维尔搞音乐的人,没有谁不希望有些事情能不一样。
There's not a single person in Nashville in the music business who doesn't wish something was different.
好吧。
All right.
对我来说,最重要的是纳什维尔提供了一个能真正支持他们信奉的艺术的圈子。
For me, the main thing is Nashville affords us the community that is able to get behind artistry they believe in.
我发现这种氛围依然存在。
And I'm finding that still happening.
这事儿是慢慢来、但一定会成的。
It's a slowly but surely thing.
有些人已经站出来说了,你知道吗?
There are some people who have come out and said, you know what?
我们想帮帮你,斯科普。
We want to help you Skip.
我是认真的。
Seriously.
只要这是斯科普·伊文的专辑,我们就想多出几首,拼了命也要推,因为这正是我们想做的东西。
If this is a Skip Ewing record, we want more of them and we will work our tails off Cause that's what we, this is the kind of thing we want.
不知道为啥,这种事没那么常发生。
It doesn't happen as often for whatever reason.
如果这种事能发生在我身上,那别人身上也一样可能发生——这说明乡村音乐最根本的东西,还有纳什维尔的这份初心,依然活得好好的。
If that's happening for me, it's happening for other people, which means the heart of what country music has always been about and what's going on with Nashville from that is still very much alive.
现在可能得花点功夫,才能看得清、感受得到,毕竟东西太多了。
You know, there might be some places where we have to dig a little deeper to see it or feel it now, because there's so much.
我们现在被太多音乐淹没了,你知道的。
We're just inundated with music, you know?
不过,我一点都没失去信心。
But no, I haven't lost my faith at all.
事实上,也许这反而让我重燃了信念,因为我亲眼看到了这种力量。
In fact, maybe it's just a renewed faith because I'm seeing that manifest.
只要这种力量能显现出来,我们唯一要做的就是更加出色地持续把它展现出来。
And if it can manifest, then all we have to do is be incredibly skillful at continuing to make that manifest.
我想写出最棒的歌,去打动那些人,让身边每一个给我机会的人,听到我的音乐后都能说:没错,我们就该代表这样的东西。
I want to write the very best I can to reach those kind of people so that anyone who's around me, anyone who gives me a chance can look at that music and go, Yeah, we're okay to represent that.
我们相信这样的音乐,我们真心认同它。
We believe what that, we believe in that.
我们相信这份才华、我的声音、我这个人、我的创作,或者希望是这一切的总和。
We believe in that talent or my voice or who I am or the writing or hopefully all of it.
人们通常不会用这个词来形容乡村音乐,但咱们就来点劲爆的吧。
And then you don't usually say it about country, but let's rock.
行了,走吧。
Mean, let's go.
来点乡村风。
Let's country.
没错。
Yeah.
所以说,从这个角度来讲,我满心都是积极的。
And yeah, so so I I have nothing but positive, in that sense.
这太棒了。
That's beautiful.
对。
Yeah.
谢谢你分享这些见解。
Thank you for that insight.
我本来想说,你总是保持这么积极的心态,这在音乐行业里特别重要,尤其能让你的音乐一直传递这种正能量。
I was gonna say you keep such a positive perspective, which is so important to have in the music industry to keep that positivity going, especially through your music.
今天先跳过我最后一个问题。
Skip my last question for you today.
我们现在是在《纳什维尔漫步》节目中。
We are on Takin' A Walk Nashville.
你在纳什维尔最难忘的一次散步是哪一次?
So what is the most memorable walk you have taken taken in Nashville?
你是说实际的散步吗?
You mean a physical walk?
因为这也可以是比喻意义上的。
Because that could be metaphoric too.
所以……
So
对。
Yeah.
我说的是实际散步,但如果你有比喻性的经历,也欢迎分享。
I I say physical, but if you had a if you have a metaphoric one, please share.
有意思的是,我平时花大量时间走路。
Well, the funny thing is that I spend a huge amount of my time walking.
我的意思是,我弹吉他已经很多年了。
So and by that, I mean that, you know, I've played guitar for a long time.
只要我脑子里有了音乐点子,对它的结构有了把握,我就可以把吉他放下,依然能琢磨和弦变化或者旋律,根本不用碰乐器。
If I have musical idea, and I have the arms of my sort of understanding of that musical idea, I can set my guitar down, and I can still work on something and work with the changes or the melody without having to play my guitar or piano or anything.
很多时候,我光靠想就能搞定一大半。
I can just do it in my head a good bit.
写歌词也是这么来的。
And so work on a lyric that way.
就算待在屋里,我也常常会走来走去。
And very often, even if I'm inside, I will walk.
我有个习惯。
And I have this thing.
有那么几个地方特别能激发创意,比如洗澡时、开车时,还有走路的时候。
There's a couple places where are where we are really, you know, creative and and we free ourselves up in the shower, driving, and walking.
这些地方都是这样。
Those are all places.
从心理上,也许从生理上来说,有人说这是因为我们每次都做同样的事。
Psychologically, maybe physiologically, they say that that is because we do it the same way every time.
你每次洗澡的步骤都一模一样。
You take a shower exactly the same way every time.
开车的时候,你对路线已经很熟了,脑子就可以放空。
When you're driving, you kind of know the way so you can kind of check out.
你不用把精力花在身体动作上。
And you're not, you don't have to spend that energy on your body.
你可以把精力都用在思考上。
You can spend it thinking.
所以我就会好好利用这一点。
So I take advantage of it.
我跟你说一个例子吧,不过不是歌名。
And so I'll tell you one that came up, but it's of not the title.
这不一定是发生了什么事,而是因为我们做这些事时能发现一些意想不到的东西。
It's not necessarily because of what happened, but it's because of what we can discover when we do stuff like that.
我们住的地方,周围根本没人。
Where we live, there's nobody around us.
每个人看到都会说:天哪。
Everyone goes, Oh my gosh.
你们社交媒体上发的照片,真有那么多山?
When we see pictures on your socials of what that you really have mountains?
你们家车道上真有大角羊?
You really have like bighorn sheep in your driveway?
真有那么多?
That many of those guys?
是啊,真的有。
Yeah, we really do.
哇,真希望我们也能住那儿。
Oh man, I wish we lived there.
我会说,好吧,行。
And I'll say, Well, okay.
那你愿意放弃什么?
But what are you willing to give up?
你愿意放弃到连披萨都不送的地步吗?
What are you willing to give up till there's no pizza delivery.
连亚洲菜都没得吃。
There's no Asian food.
连交通标志都没有。
There's no stop signs.
连快餐都没了。
There's no fast food.
得开八英里才到一条土路,那路颠得厉害,我们平时都得靠全地形车才能过去,诸如此类。
There's an eight mile drive just to get on a dirt road that will beat any truck up that we usually have to use an ATV, etcetera, etcetera, to get there.
我们就在一片荒凉中,唯一有的,就是美景,满满的美景。
And we're out in the in nothing except for beauty, beauty.
对吧?
Right?
所以我一推后门就能带着狗出去,还不用拴绳子。
So I can step out my back door with my dogs who I don't have to put on a leash.
它们本来想去哪儿都行,但我们的狗都乖乖待在院子里,因为它们就是这种类型的狗。
They could go anywhere they wanted to, but our dogs stay on the property because they're both those kinds of dogs.
不过它们会跟着我走。
But they'll go with me.
我会离开家门。
And I will leave my house.
就随便走走。
I'll just walk.
想去哪个方向都行。
I can go any direction I want.
这可不常见。
That's not a typical thing.
我不用非得去某个公园,走特定的小路,或者绕着自家街区转圈。
I don't have to go to a certain park or take a certain trail or walk around the block at my house.
这真是一种福气。
This is a blessing.
这是一种恩赐,我一开始根本没意识到。
It's a gift that we don't that I didn't even think about at first.
我可以走出去,让这些散步成为我艺术旅程的一部分吗?
And I can go out and I can I can let that be part of my artistic journey?
每一次散步都是我艺术旅程的一部分,而且它们全都相互关联。
Every one of those walks is part of my artistic journey and they're all connected.
它们可能跟无数首歌都有联系。
They could be connected to a zillion songs.
但今年发生的就是这样,这确实是事实。
But this is what happened this year, which this is true.
我带着狗出门,一起散步。
I left with the dogs and we're walking out.
下午快到一半的时候,一只亮蓝色的蜻蜓突然飞过来,就在我旁边盘旋,时间不长,但足够让我注意到它。
And about halfway through the afternoon, this blue, bright blue dragonfly literally came over and flew next to me, not for a long time, but enough time that you could tell.
就在我身边,清清楚楚的。
It was like right there.
我不知道它为什么会来,你懂吗?
I don't know if it you know, why?
我真的说不上来。
I don't know.
但它就是出现了。
But it was there.
我注意到了它。
And I noticed it.
我当时也没多想,只是觉得真美。
And I didn't really you know, it's beautiful.
有时候它们确实会出现。
They're there sometimes.
它们比较少见,但因为我们住的地方水多,所以还是能见到。
They're fairly rare, but they're there because we have a lot of water where we live.
我觉得特别酷,当时我停下来盯着看,平时可没这机会近距离观察,结果一转眼它就飞走了。
Thought that was so cool because we stay and I'm like looking at it, you know, don't usually get these lines, getting a look at them and then he was gone.
它接着就飞走了。
And he went off on his way.
我往回走的时候,突然想到一件事。
As I'm walking back, I went, Wait a second.
这可真不寻常。
That is really unusual.
这儿已经下过三次雪了。
It has snowed three times already.
这感觉更像是深秋了。
Is late fall kind of seemed like to me.
在怀俄明州,我也说不好该怎么形容,反正就是看天气有多糟来判断。
I don't know how to say that in Wyoming because you just judge it by how bad the weather is.
我当时就想,都下过三次雪了,那肯定也冻了好几天。
And I went, It has snowed three times, which means it has also been freezing cold multiple days.
蜻蜓幼虫到底是怎么变成成虫的?
Very How in the world did a dragonfly larvae turn into an adult?
或者成虫是怎么在那种天气里活下来的?这怎么可能发生?
Or how did an adult stay alive when that's not how how did that even happen?
这事儿挺神奇的,嗯,这类散步我常有,结果后来还成了专辑的名字——《蜻蜓》。
It's kind of magical, Well, you that's one of the kinds of walks that I took, but that ended up being the title of the album, The Dragonfly.
这趟散步确实让人难忘,不光是因为它成了专辑名,更因为这种事太罕见了。
So this is a memorable walk, but it's it's memorable for the title, but it's also memorable for the rarity of it.
我也说不清楚。
I don't know.
我觉得没什么神奇的。
I don't think it was anything magic.
我对魔法这类事没什么执念。
I don't have a big thing about magic.
就连和马打交道,人们也总爱说‘马语者’这类话。
Even working with horses, people say horse whisper stuff.
我不觉得这真的有什么道理。
I don't think that's true necessarily.
这其实就是一种诗意的表达,用来形容和马相处时那些很实际、很明确的事。
Think it's a poetic way of describing something that is pretty black and white and concrete working with a horse.
事情发生了,自然就有它的原因。
These things happen and this is why.
你懂的。
You know?
但这件事,我真的说不清。
But that one, I don't know.
我不知道它是怎么发生的,但它就是发生了。
I don't know how it happened, but it happened.
我回来后就说:我们要不要把这张专辑叫《蜻蜓》?毕竟,蜻蜓到底意味着什么?
And I came back and I said, I wonder if we should call this record Dragonfly because what are dragonflies about?
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